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Crime Thriller Quotes

Browse 147 quotes about Crime Thriller.

Crime Thriller Quotes

“She told herself, finally, that she must face it or die . . . But this was just a whisper in the self, that flutter within which starts as a tiny plea and fights to grow in strength and resonance. So, she stood by it and fought for it, but not before her life and her love took the losses redemption almost always exacts from the redeemed.”

“It was a cooler morning than usual, but it was a welcomed difference. The many childhood summers she had spent on the French Riviera were now a simple memory, her younger adult years in the Caribbean now packed away into the past. The cooler New England temperatures helped to mitigate the heat of her present concerns.”

“Valdivia had to hold back the familiar mixture of sadness, rage, and revulsion to keep herself from shouting at the world in front of her. Of course, she had seen bad things before. But now, violence against women was a particular anguish, and the pursuit of their killers had become a personal mission.”

“Ava was almost twenty-six, on her own, in a decent and mostly stable relationship, eternally grateful to be away from Jeffrey Hoffman’s clutches. Hoffman had held her captive for just over four years until she escaped that life at eighteen. In the first few years of her escape, she’d had as much therapy as she could tolerate, preferring to get on with things.”

“Dialogues must appear as natural as if coming from effortless writing. It must not sweat. Your beloved readers must not sweat. But here am I, literally sweating, because my characters are literally talking dirty in a steamy sweaty and bloody scene.”

“Mr. Ludefance? This is Barnett Hooks. We’re a law firm over here in Tallahassee. I’ve been trying to reach you for over a week as I’m representing a client who is interested in hiring you.” “I’m currently out of the country, Mr. Hooks. Why don’t you tell me about the nature of the problem? Mind you, I don’t take infidelity cases anymore.” “No, it’s not that type of case. This is about the late Judge Russell Hastings. He was an appellate judge with the First District Court of Appeals here in Tallahassee who unfortunately was murdered about a year ago.”

“Keto wasn’t just any dog. He was vicious, trained to be a killing machine when called on. Pack had invested much time and effort into training Keto. He hadn’t barked before attacking the murderer. It was close to a stealth attack. Probably flew through the air the final eight or ten feet. Mouth open wide, upper and lower incisors ready to rip the prey apart painfully, efficiently. And the killer’s screams weren’t just any screams. They were shrieks, the kind arising from sheer terror. Knowing your means of defense are dead, as dead as you soon will be.”

“He began as a minor imitator of Fitzgerald, wrote a novel in the late twenties which won a prize, became dissatisfied with his work, stopped writing for a period of years. When he came back it was to BLACK MASK and the other detective magazines with a curious and terrible fiction which had never been seen before in the genre markets; Hart Crane and certainly Hemingway were writing of people on the edge of their emotions and their possibility but the genre mystery markets were filled with characters whose pain was circumstantial, whose resolution was through action; Woolrich's gallery was of those so damaged that their lives could only be seen as vast anticlimax to central and terrible events which had occurred long before the incidents of the story. Hammett and his great disciple, Chandler, had verged toward this more than a little, there is no minimizing the depth of their contribution to the mystery and to literature but Hammett and Chandler were still working within the devices of their category: detectives confronted problems and solved (or more commonly failed to solve) them, evil was generalized but had at least specific manifestations: Woolrich went far out on the edge. His characters killed, were killed, witnessed murder, attempted to solve it but the events were peripheral to the central circumstances. What I am trying to say, perhaps, is that Hammett and Chandler wrote of death but the novels and short stories of Woolrich *were* death. In all of its delicacy and grace, its fragile beauty as well as its finality. Most of his plots made no objective sense. Woolrich was writing at the cutting edge of his time. Twenty years later his vision would attract a Truffaut whose own influences had been the philosophy of Sartre, the French nouvelle vague, the central conception that nothing really mattered. At all. But the suffering. Ah, that mattered; that mattered quite a bit.”

“Every time he studied this instrument, with its slender, gleaming steel rod that tapered down to such needle-like sharpness, he wondered why it was necessary to have things like this in the world. If it were truly only for chopping ice, you'd think a completely different design might do. The people who produce and sell things like this don't understand, he thought. They don't realize that some of us break out in a cold sweat at just a glimpse of that shiny, pointed tip.”

“A detective in love with a breathtakingly beautiful stripper, who also is a major criminal: “Among her coterie of supplicants was Joe Fucci, a senior detective on the Laughlin force. Joe regarded himself as handsome, and he was. If he went without shaving for three days, a John Deere was required to cut through the growth. No electric razor created by man stood a chance in that tangle of growth.”

“Under fire, trying to get a fugitive out of Honduras: “Their pilot hopped out of the cockpit to allow them entry room. Pack sent Keto [Belgian Malinois K-9] up first. Then he dragged Triandos up. The prisoner’s head pinged off every step on the way up. His head struck the bulkhead as Pack flung his bulk into the cabin. ‘I know there’s a protocol,’ Pack thought, ‘but whoever wrote it was never in this situation.”