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Quote by Sylvia Plath

“I am drowning in negativism, self-hate, doubt, madness - and even I am not strong enough to deny the routine, the rote, to simplify. No, I go plodding on, afraid that the blank hell in back of my eyes will break through, spewing forth like a dark pestilence; afraid that the disease which eats away the pith of my body with merciless impersonality will break forth in obvious sores and warts, screaming "Traitor, sinner, imposter.”

Quote by Sylvia Plath

Work

The Unabridged Journals of Sylvia Plath

This book presents the extensive and unedited journals of Sylvia Plath, offering a candid and intimate look into her thoughts, experiences, and creative process throughout her life. more

Author

Sylvia Plath
Sylvia Plath

American poet, novelist, and playwright. Her works are known for their profound emotion and unique style, and she is considered one of the most important female writers of the 20th century. more

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“I would rather go mad, gone down the dark road to Mexico, heroin dripping in my veins, eyes and ears full of marijuana, eating the god Peyote on the floor of a mudhut on the border or laying in a hotel room over the body of some suffering man or woman; rather jar my body down the road, crying by a diner in the Western sun; rather crawl on my naked belly over the tincans of Cincinnati; rather drag a rotten railroad tie to a Golgotha in the Rockies; rather, crowned with thorns in Galveston, nailed hand and foot in Los Angeles, raised up to die in Denver, pierced in the side in Chicago, perished and tombed in New Orleans and resurrected in 1958 somewhere on Garret Mountain, come down roaring in a blaze of hot cars and garbage, streetcorner Evangel in front of City I-Tall, surrounded by statues of agonized lions, with a mouthful of shit, and the hair rising on my scalp, screaming and dancing in praise of Eternity annihilating the sidewalk, annihilating reality, screaming and dancing against the orchestra in the destructible ballroom of the world, blood streaming from my belly and shoulders flooding the city with its hideous ecstasy, rolling over the pavements and highways by the bayoux and forests and derricks leaving my flesh and my bones hanging on the trees.”

“You know those afternoons," he asks, drawing a shaking breath, "where you’re just going along, doing fine, and then afternoon comes and it feels like you’ve just got the wind knocked out of you and everything is wrong?" He sighs and slowly pushes himself so he’s sitting upright. His shoulders are slumped. "That’s all," he says. "It’s just one of those afternoons." We are silent for a minute. Then he lies back down on the couch. I should say I love him. I should say it will be all right. But it won’t. I walk down the hall to my bedroom. I lie down on my side and stare at the wall, the blue-flowered wallpaper next to my nose. Despite my best efforts, I start to cry. I know those afternoons.”