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Quote by Charlotte Perkins Gilman

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Charlotte Perkins Gilman: —Selected Works

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Charlotte Perkins Gilman
Charlotte Perkins Gilman

Charlotte Perkins Gilman was an American novelist, social reformer, and feminist. Her works explored the status of women in society, family, and career, and had a profound impact on women's literature and social movements. more

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“To American critics, Gershwin sounded exactly like what they wanted to get away from. It was the essence of their own time and place represented musically, just as James Joyce had verbally rendered Dublin in Ulysses. This kind of rendering absolutely had to include the time and place's vulgarity, its flash and its hustle, and what can only be called its gorgeous ugliness. Two years earlier, G.K. Chesterton had pointed out how beautiful Times Square must look to someone who couldn't read, and here was that same thought set to music. If Gershwin's music had been any purer and more correct, it wouldn't have been New York.”

“When you went to your favorite concert and heard your favorite musician singing the body electric, that was it; when you met your love and gazed at each other with shining eyes, that was it; when you kissed your five-year-old good night and she turned to you solemnly and said, "Thank you for loving me so much," that was it: all of them facets of the same jewel.”

“Somewhere, the radio was playing—WCRB again, soft classical. I didn’t register it at first. I was too busy putting my keys down, toeing off my shoes, breathing into the hush. But then the melody changed. Piano. Slow. Familiar. It was Adagio cantabile. Not Joel’s version, with its doo-wop backbone and lovesick harmonies. Beethoven’s. The real thing.”