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Quote by Lydia Teh

“If you're not lazy, you're not Malay, If you're don't cheat, you're not Chinese, If you're don't drink. you're not Indian To my friend I say, I'm Chinese but I'm no cheat, My friend's Indian but he's no drunk, Another is Malay but he's no slob, Chinese, Indian Malay or Others, We are who we make ourselves to be, Not the stereotypes we're out to be. But if we don't buck the trend, We'll forever be stamped.”

Quote by Lydia Teh

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Do You Wear Suspenders?

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Lydia Teh

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“It seems to me that apart from the aptness of the Malay language in the construction of four-lined verses with a AAAA pattern of rhyme, the influence of Ibnu’l-‘Arabi’s and ‘Iraqi’s four-line shi’r and Jami’s ruba’i, the concept of the bayt and the shi’r in Arabic and Persian prosody, the creative genius of the poet, Hamzah’s choice of the four-line shi’r composed of a single bayt could well have been influenced also by the symbolism in the Sufi doctrines.”

“The analogy of the fourfold Law Way, Truth and Gnosis in which they are compared to a house may be said to be a static one, and this is because what is aimed at here is comprehension of the concept of the absolute unity of the Way to the Truth; but the spiritual journey itself is a dynamic concept, and hence sometimes the fourfold unity of the Way to the Truth is also to a ship (kapal) whose keel is like the Law, whose planks are like the Way, whose content or merchandise is like the Truth and whose gain is like the spiritual gain of Gnosis.”

“Now," he huffed, the heat of his breath against her pussy near enough to drive her insane, "you're going to ride my face and you come." His hands gripped the backs of her thighs, cupping her ass firmly, bringing her down to him. "What if I crush you?" she asked. "You won't. There is nowhere else I would rather be right now, Rosemary." Ellis looked up at her from between her legs, his pupils blown wide, a grin on his face. Then he pulled her to him. The first suck of his mouth sent a jolt of pleasure right through her. "Fuck," Rosemary hissed, as Ellis lapped at her centre, using his hands to move her, showing her how to grind against him. She was shy at first, but that soon faded, with every firm lick on her cunt, every kiss Ellis planted on her clit. He seemed to be taking just as much pleasure from this as she did, groaning as she writhed against his lips. She loved watching him lose control; she wanted to be the one to elicit this reaction from him. Rosemary let herself go, grinding into the heat of Ellis's mouth, seeing stars as the orgasm crashed through her.”