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Quote by Suketu Mehta

“While I was writing my book, I got a top police official in Bombay an invitation to study terrorism at the Rand Institute in Washington DC. This would have helped the city enormously, as he was the detective who cracked the '93 blasts case. But the commissioner declined to let his subordinate take up the offer from Rand, because of his fear that it was CIA-affiliated. That culture of suspicion needs to change; India needs to learn how other democracies fight terror.”

Quote by Suketu Mehta

Author

Suketu Mehta
Suketu Mehta

Suketu Mehta is an Indian-American film writer born in 1963. His works are known for their profound social insight and unique narrative style. more

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“If you are late for work in Mumbai and reach the station just as the train is leaving the platform, don't despair. You can run up to the packed compartments and find many hands unfolding like petals to pull you on board. And while you will probably have to hang on to the door frame with your fingertips, you are still grateful for the empathy of your fellow passengers, already packed tighter than cattle, their shirts drenched with sweat in the badly ventilated compartment. They know that your boss might yell at you or cut your pay if you miss this train.”

“Now, as when I made films that were too autobiographical, the problem is how to escape naturalism. If you tell a strictly true story, because the way you are telling it is false, it creates naturalism. But I become a naturalist. And to become a naturalist is something I avoid. It is fake life - that is the problem. It is because we are familiar with situationnisme, and the critique of the spectacle, et cetera, which is a very fair criticism. People who have no life, and who watch this fake life on a screen - it's a very alienated situation. And that's what situationnisme is about.”

“I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.”

“It's a difference of living your life for passion and not for a paycheck. I worked almost all the time, but it was something I loved so much as opposed to a job that I didn't love, where you're skating in at 8:59 A.M. or 9:10 A.M. and leaving the second it hits 5:00 P.M. If you're assigning a dollar value to what you're willing to put up with as opposed to doing what yields you in this world - I have been a whole lot happier when I've been a whole lot broker. Money doesn't define happiness; it's what you do every day that does.”

“The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.”