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Quote by Jon Gordon

“I was occasionally getting calls for some things. But I would say, 22 to 29 was a lot of scuffling. Hoping to get called for bad wedding gigs and I did do an off-Broadway show for about 15 months.”

Quote by Jon Gordon

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Jon Gordon is a renowned consultant specializing in leadership and team building. His work spans across various industries, helping organizations and individuals enhance performance and well-being. more

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“I did do an off-Broadway show for about 15 months. '91 and '92. It was nice to have a steady paycheck for a while. It was Oliver Jackson and Earl May, Art Barron and myself were the house band. I was 24 and 25 at the time.”

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“There were some things I was going and doing in Europe a little bit. Some festivals that brought me over. That was good. Some touring I did over there. But there was nothing major [from 22 to 29].”

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“The first CD I had, that I think had had any redeeming qualities to it, I did when I was 25 with a relatively small label called Chiarascuro.”

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“The first jazz cruise that I was on was '91. I played with Maria Schneider and John Fedchock's band. Got to meet some amazing people that week.”

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“I had made a couple of records in Europe. One as a leader, and one as a sideman before that. It was what it was. I started to work with Maria Schneider around that period and some other people, I started to get called to sub at the Vanguard in my mid-20s.”

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“Things dribbled in in dribs and drabs through my 20s. But it was a struggle.”

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“The streets weren't paved with gold and Rose petals [when I was young]. "Do I have a horn to sell this month to pay my rent, or what am I going to do?" It was what it was.”

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“I saw a nice interview with Dave Binney recently. He was saying, "Man it was never easy. It's not like 'Oh wow, the good old days.' What, when certain people couldn't vote?" There was more work for musicians in the '40s, '50s, '60s. But I don't think it was ever easy.”

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“[Winning the Thelonious Monk International Saxophone Competition]definitely opened some doors.”

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“Earlier that year [1996], Ronnie Scott came to Visiones when I was playing with Maria and he hired me to come and play in his club in London, which I was gratified by. That allowed me to make some more connections.”

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