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Quote by Michel Hazanavicius

“I think there's something in common with the OSS 117 movies. The big difference is there's no irony in this one. It's not parody. I tried to make it very simple. It's a simple story, but to be simple, it's very complex in the way it's done.”

Author

Michel Hazanavicius

Michel Hazanavicius is a French film director renowned for his work on the film 'The Artist', which won multiple awards, including the Academy Award for Best Picture. His films are often celebrated for their unique style and homage to the history of cinema. more

“Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.”

Thinking Way Believe I Believe Periods Shots Shooting Irony Continuation

Author:Michel Hazanavicius

“The only features I've done have been on the lower-budget end, for what they were. It's really all about getting the best people aboard and committing to doing the best work possible and prioritizing where your time is going to be spent.”

People Has Beens Ends Done Budgets Features Best Work Prioritize

Author:Mick Garris

“Obviously not a Stephen King level writer, but I'd written short stories and short fiction, from the time I was 12.”

Stories Levels Fiction Written Kings Short Story

Author:Mick Garris

“My first teacher was Steven Spielberg. I worked on Amazing Stories. That was my first job, as a writer and as a story editor. Watching him and his command of the tools of filmmaking, and his admiration for writing and the story itself, was the greatest lesson I ever had.”

Writing Firsts Stories Jobs Teacher Lessons Tools Command Admiration Editors Filmmaking

Author:Mick Garris