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Quote by Gregory Crewdson

“For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.”

Quote by Gregory Crewdson

Author

Gregory Crewdson

Gregory Crewdson is an American photographer known for his meticulously crafted, narrative-driven photographs. His work often depicts fictional, surreal scenes with a cinematic narrative style. Crewdson's photographs delve into the complexities and contradictions of middle-class American life. more

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“Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.”

Want Trying Kind Motivation Awareness Conscious Photograph Narrative Plot Frozen Literal Mute Pumps Conscious Awareness Before And After

Author:Gregory Crewdson

“I want to privilege the moment.”

Want Moments Privilege

Author:Gregory Crewdson

“The viewer is more likely to project their own narrative onto the picture.”

Projects Narrative Viewers

Author:Gregory Crewdson

“I'm very moved by the fact that people are drawn into the pictures and that they do bring their own history and their own interpretation to the photograph. I think that's why they work in a certain way.”

People Thinking Way Facts Certain Moved Photograph Interpretation

Author:Gregory Crewdson

“I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.”

Thinking Way Kind Facts Certain Expectations Resolve Dread

Author:Gregory Crewdson

“I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.”

Way Feels Important Hard Enough Used Process Strange Ordinary Conscious Familiar Mysterious Location Me Alone Scouting

Author:Gregory Crewdson

“Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.”

Mind Light Might Happens Eye Certain Courses Months Locks Location Right Time Lag

Author:Gregory Crewdson

“Making that final commitment is really hard. Because once you decide to move forward, it becomes a whole process which is really hard to stop.”

Hard Whole Moving Process Commitment Finals Moving Forward

Author:Gregory Crewdson

“In "Twilight," the narratives are more literal, and the event is much more spectacular. The pictures in "Beneath the Roses" are much more psychological and grounded in reality.”

Reality Events Rose Psychological Narrative Twilight Grounded Spectacular Literal

Author:Gregory Crewdson

“I think that's the nature of representation. No matter what it will disappoint, it will fail in some way.But that's also part of the magic of art. If every picture met my expectation in exactly the right way, there'd be no mystery; there'd be no gap between what's in my head and the picture I make.”

Ifs Thinking Way Art Matter Failing Magic Mystery Mets Expectations No Matter What Gaps Representation Right Way Disappoint

Author:Gregory Crewdson