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Quote by Charlotte Eriksson

“I was free with every road as my home. No limitations and no commitments. But then summer passed and winter came and I fell short for safety. I fell for its spell, slowly humming me to sleep, because I was tired and small, too weak to take or handle those opinions and views, attacking me from every angle. Against my art, against my self, against my very way of living. I collected my thoughts, my few possessions and built isolated walls around my values and character. I protected my own definition of beauty and success like a treasure at the bottom of the sea, for no one saw what I saw, or felt the same as I did, and so I wanted to keep to myself. You hide to protect yourself.”

Quote by Charlotte Eriksson

Book:Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving
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Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving

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Charlotte Eriksson

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ScotlandHugh Macdiarmid
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“Yes, I go along with the idea of a Scottish Spring. It was genuinely a time of beginnings, a time of openings, and I always felt that those who left Scotland then - eg. Kenneth White, Douglas Dunn - were too impatient and should have stayed. New international configurations - Sottish-American, Scottish-Russian, Scottish-Brazilian - appeared. New genres like concrete poetry and sound-poetry challenged a fair amount of opposition. I remember Hugh MacDiarmid growling in 1970 "I'd hate an Ian Finlay poem on my gravetstone." Publishers like Wild Hawthorn, Migrant, Eugen Gomringer, Hansjörg Mayer, encouraged Scotland to see the world and the world to see Scotland.”

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Book:Justified Sinners: An Archaeology of Scottish Counter Culture, 1960 - 2000
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“In their fragmentary and miscellaneous way, the Hawthornden manuscripts provide information about the re-shaping of a British Marian myth after 1603, a complex process that involved re-negotiating older national narratives and that drew together the factious material written in the 1580s with more sombre recollections fit for the commemoration of a national figure. In a narrower sense, Fowler's papers offer material evidence of the nature and extent of circulation of Marian 'literary curiousities' among the London Jacobean elites in the first decade of Stuart rule; the loosely defined circles within which this material can be detected include people from different backgrounds, nationalities and social extractions, as a testament to the permeability of both Marian material and early seventeenth-century literary networks. By the end of the first decade of James's English reign, when much of Fowler's material was arguably collected, Mary's problematic memory had been finally tamed and the Queen of Scots had become a figure of misfortune rather than dissent.”

Mary Queen Of ScotsUnion Of The Crowns1603Hawthornden ManuscriptsJames Vi And IWilliam Fowler
Book:Scottish Literary Review, Spring/Summer 2025
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Book:100 Common Sense Policies to make BRITAIN GREAT again
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Book:100 Common Sense Policies to make BRITAIN GREAT again
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