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Quote by Nina LaCour

“It may be difficult to believe," he said. "I know it may have come across as... romantic, because of how I act when I get her letters. Because of that dress she sent me. But sometimes two people have a deep connection. It makes romance seem trivial. It isn't about anything carnal. It's about souls. About the deepest part of who you are as a person.”

Quote by Nina LaCour

Book:We Are Okay
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We Are Okay

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Nina LaCour

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“The Wilcoxes were not lacking in affection; they had it royally, but they did not know how to use it. It was the talent in the napkin, and, for a warm-hearted man, Charles had conveyed very little joy. As he watched his father shuffling up the road, he had a vague regret—a wish that something had been different somewhere—a wish (though he did not express it thus) that he had been taught to say 'I' in his youth.”

FamilyRegretAffectionRepressionRepressedHowards EndE M Forster
Book:Howards End
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“I don’t hesitate to say that damage or destruction of the land-community is morally wrong, just as Leopold did not hesitate to say so when he was composing his essay, “The Land Ethic,” in 1947. But I do not believe, as I think Leopold did not, that morality, even religious morality, is an adequate motive for good care of the land-community. The primary motive for good care and good use is always going to be affection, because affection involves us entirely. And here Leopold himself set the example. In 1935 he bought an exhausted Wisconsin farm and, with his family, began its restoration. To do this was morally right, of course, but the motive was affection. Leopold was an ecologist. He felt, we may be sure, an informed sorrow for the place in its ruin. He imagined it as it had been, as it was, and as it might be. And a profound, delighted affection radiates from every sentence he wrote about it.”

AffectionLeopoldLand Ethic
Book:It All Turns on Affection: The Jefferson Lecture and Other Essays
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“Theme It's a sunny weekday in early May and after a ham sandwich and a cold bottle of beer on the brick terrace, I am consumed by the wish to add something to one of the ancient themes– youth dancing with his eyes closed, for example, in the shadows of corruption and death, or the rise and fall of illustrious men strapped to the turning wheel of mischance and disaster. There is a slight breeze, just enough to bend the yellow tulips on their stems, but that hardly helps me echo the longing for immortality despite the roaring juggernaut of time, or the painful motif of Nature's cyclial return versus man's blind rush to the grave. I could loosen my shirt and lie down in the soft grass, sweet now after its first cutting, but that would not produce a record of the pursuit of the moth of eternal beauty or the despondency that attends the eventual dribble of the once gurgling fountain of creativity. So, as far as great topics go, that seems to leave only the fall from exuberant maturity into sudden, headlong decline– a subject that fills me with silence and leaves me with no choice but to spend the rest of the day sniffing the jasmine vine and surrendering to the ivory goverance of the piano by picking out with my index finger the melody notes of "Easy to Love," a song in which Cole Porter expresses, with put-on nonchalance, the hopelessness of a love brimming with desire and a hunger for affection, but met only and always with frosty disregard.”

LovePoetryAffectionImmortalityHopelessness
Book:The Trouble With Poetry - And Other Poems
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“He'd seen a different side of her today, he realized with pleasure, recalling the sight of her standing on the bow of the Orpheus, holding on to the shrouds with the wind in her face and a look of pure delight in her eyes. She'd been a vision with those skirts flapping wildly around her legs, so different from his long-standing perception of her. And when they rounded the point, something had awakened inside him. An emotion he'd not felt in a very long time- a deep, genuine affection that reached beyond the surface thrill of the conquest.”

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Book:Surrender to a Scoundrel
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