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Quote by Sean O'Casey

“The drama's altar isn't on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it's roof, now, the commonplace crow caws candidly.”

Quote by Sean O'Casey

Work

Autobiographies III: Rose and Crown and Sunset and Evening Star

This book brings together two autobiographical texts that continue the author's life narrative. 'Rose and Crown' describes his experiences in the early twentieth century, including his involvement in Irish cultural and political life, his work as a poet and playwright, and his relationships with other literary figures. 'Sunset and Evening Star' offers a more reflective account of his later years, touching on his continued creative output, his thoughts on aging and mortality, and his evolving perspectives on the world. Together, these works provide a comprehensive view of the author's personal and artistic journey during the latter part of his life. more

Author

Sean O'Casey
Sean O'Casey

Sean O'Casey (March 30, 1880 – September 18, 1964) was a renowned Irish dramatist known for his realistic portrayals of Dublin's working-class life and social conflicts. Born into a poor Protestant family, he experienced hardship early and engaged in labor and trade union activism. His major works include Juno and the Paycock, The Plough and the Stars, and The Silver Tassie. O'Casey's plays blend tragedy and comedy, reflecting the struggles of Irish independence and human nature. He later moved to England and continued writing until his death, leaving a lasting impact on 20th-century theater. more

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“By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.”

“Consider the public. Never fear it nor despise it. Coax it, charm it, interest it, stimulate it, shock it now and then if you must, make it laugh, make it cry, but above all never, never, never bore the living hell out of it.”