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Quote by James Elkins

“The purple light or glow, which appears roughly fifteen or twenty minutes after sunset... looks like an isolated bright spot fairly high in the sky over the place the sun has set, and then it quickly expands and sinks until it blends with the colors underneath.”

Quote by James Elkins

Author

James Elkins is a renowned art critic born in 1955. His work spans a wide range of fields from modern art to contemporary art, known for his profound analysis and unique insights. more

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“Painters love paint itself: so much that they spend years trying to get paint to behave the way they want it to.”

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“Water and stones. Those are the unpromising ingredients of two very different endeavors... painting, because artists' pigments are made from fluids... mixed together with powdered stones to give color... and the other is alchemy, the stone the ultimate goal.”

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“Every meaning is a projection of the viewer's inarticulate moods.”

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“A painter knows what to do by the tug of the brush as it pulls through a mixture of oils, and by the look of coloured slurries on the palette.”

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“Substances are like mirrors that let us see things about ourselves that we cannot quite understand.”

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“It is as if only irrelevance can be promoted as art.”

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“Modern paintings often seem to have been made quickly, by comparison with the paintings of earlier centuries, and that seems to give us the license to look at them quickly - to consume them and move on.”

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“At concerts, for me, the orchestra was like a painter. It flooded me with all the colours of the rainbow. If the violin came in by itself, I was suddenly filled with gold and fire, and with red so bright I could not remember having seen it on any object.”

Ifs Remember Music Fire Objects Red Gold Filled Painter Colour Concerts Rainbow Orchestra Violin

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“As the decades go by, a painter's life becomes a life lived with oil paint, a story told in the thicknesses of oil. Any history of painting that does not take that obsession seriously is incomplete.”

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“To a nonpainter, oil paint is uninteresting and faintly unpleasant. To a painter, it is the life's blood: a substance so utterly entrancing, infuriating, and ravishingly beautiful that it makes it worthwhile to go back into the studio every morning, year after year, for an entire lifetime.”

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