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Quote by James Elkins

“To a nonpainter, oil paint is uninteresting and faintly unpleasant. To a painter, it is the life's blood: a substance so utterly entrancing, infuriating, and ravishingly beautiful that it makes it worthwhile to go back into the studio every morning, year after year, for an entire lifetime.”

Quote by James Elkins

Book:What Painting Is

Work

What Painting Is

This book delves into the fundamental aspects of painting, examining its techniques, history, and aesthetic principles. more

Author

James Elkins is a renowned art critic born in 1955. His work spans a wide range of fields from modern art to contemporary art, known for his profound analysis and unique insights. more

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“The muddy moods of oil paints are the painter's muddy humors, and its brilliant transformations are the painter's unexpected discoveries.”

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“The opposite of a glance... is a glimpse: because in a glance, we see only for a second, and in a glimpse, the object shows itself only for a second.”

Shows Objects Opposites Glances Glimpse

Author:James Elkins

“Painting is a fine art: not merely because it gives us trees and faces and lovely things to see, but because paint is a finely tuned antenna, reacting to very unnoticed movement of the painter's hand, fixing the faintest shadow of a thought in color and texture.”

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Book:What Painting Is

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“Painting is an unspoken and largely unrecognized dialogue, where paint speaks silently in masses and colors and the artist responds in moods.”

Artist Speak Color Painting Mass Paint Mood Dialogue Unspoken

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“Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.”

Made Body Records Fronts Movement Painting Paint Casts Painter Sat Delicate Gestures Canvas Portraits Tense

Book:What Painting Is

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“It is the fertile hallucination that makes paint so compelling. Paint is like the numerologist's numbers, always counting but never adding up, always speaking but never saying anything rational, always playing at being abstract but never leaving the clotted body.”

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Book:What Painting Is

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“What kinds of problems, and what kinds of meanings, happen in the paint? Or as one historian puts it, 'What is thinking in painting, as opposed to thinking about painting?' These are important questions, and they are very hard to answer using the language of art history.”

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Book:What Painting Is

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“In the context of a question regarding what an artist might be, I would want to raise the question of what a theorist might be, to signal how inextricably linked these existences and practices might be.”

Want Might Artist Existence Practice Raises Signals Linked Theorists

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“All seeing, I think, is painful. Every photograph is a little sting, a hurt inflicted in its subject, but even more: every glance hurts in some way, freezing and condensing what's seen into something that it is not.”

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“I think the popular concept of the artist is a person who has this great passion and enthusiasm and super emotion. He just throws himself into this great masterpiece and collapses from exhaustion when it's finished. It's really not that way at all.”

Thinking Way Persons Artist Passion Emotion Concepts Finished Enthusiasm Collapse Masterpiece Exhaustion Great Passion

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