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Quote by Katie Kitamura

“I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.”

Quote by Katie Kitamura

Author

Katie Kitamura is a British novelist born in 1979. Her works are known for their profound psychological portrayals and complex female characters. Kitamura's debut novel, 'The Longings of Hugo Malliet', received widespread acclaim and won multiple literary awards. more

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“I'm interested in dismantling the distinction between masculine and feminine writing both because I think it's a false distinction and, I think, ultimately an insulting one. It's as insulting to men as it is to women. I'm not sure what masculine writing would look like - I assume some combination of Ernest Hemingway and Raymond Carver. Writing can't be gendered in that way.”

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“The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there's this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead. I'm always trying to fight against the impulse to make my readers like me.”

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“Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.”

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“It's a hard thing to examine and difficult to speak for other writers, but when I look at my own writing there is often too much reticence. And that's a flaw I have as a person as well. I'm too reticent. I'm non-confrontational to a fault. And I'm risk-averse, which probably shows in my sentences. The aversion to long lines, the tendency to strip things back and be spare. My writing is an act of erasure that's tied up with my personality. I can easily produce a ninety thousand word chunk of writing and then cut back and back until I've only got ten thousand words. Or nothing.”

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“When I receive a box of my books, my impulse is to hide rather than display them. It always makes me very anxious that they send so many copies, because I have to think of lots of different places to hide them.”

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“I believe writers should be able to write about anything - anything - but there is also a sense in which your lived experience shapes what you write and what you don't write.”

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“I don't know why I write. The honest answer is that I don't have an answer. I wouldn't die if I couldn't write fiction. Actually keel over and die - it's unlikely. But quite quickly writing has come to feel like the only thing I really know how to do. And I go a bit stir crazy if I don't write more or less every day. But that makes writing sound like a mood-regulator, a way to regulate anxiety or depression, and it doesn't really come down to that.”

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“Conservative thinking is a very important part of Republican Party and the Republican Party is very important to the conservative movement. Since the 1960's, the polarization of the two parties and their alignment with essentially liberal and progressive and conservative thinking respectively is one of the big changes and it's made it really hard to separate those two out and so party and ideology are much more intertwined today than they were even 20 years ago, let alone 40 years ago.”

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