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Quote by Robert M. Pirsig

“Bergen zoals deze, en reizigers in de bergen, en hun lotgevallen treft men niet alleen aan in Zen-literatuur, maar in de exemplarische vertellingen van iedere grote religie. De allegorische voorstelling van een natuurlijke berg voor de geestelijke berg die tussen iedere ziel en zijn doel staat, werpt zich makkelijk en als vanzelfsprekend op. Zoals iedereen in het dal beneden ons, staan de meeste mensen hun hele leven voor de aanblik van de geestelijke bergen in hun leven waarin zij zich nooit begeven, tevreden als ze zijn met de verhalen van degenen die er geweest zijn, en op die manier vermijden ze de beproevingen. Sommige reizen in de bergen begeleid door ervaren gidsen die de beste en minst gevaarlijke wegen kennen die tot hun bestemming leiden. Weer anderen, meest onervaren en zonder vertrouwen, wagen het hun eigen weg te ontdekken. Slechts weinigen slagen daarin, maar af en toe halen enkelen het door louter wilskracht, geluk en genade. Zodra zij zijn gearriveerd beseffen zij beter dan alle anderen dat er niet één, of een vast aantal wegen bestaat. Er zijn zoveel wegen als er afzonderlijke zielen zijn.”

Quote by Robert M. Pirsig

Work

Zen and the Art of Motorcycle Maintenance: An Inquiry Into Values

This book combines a travel narrative with a philosophical inquiry, examining the concepts of quality, truth, and the nature of reality. The author reflects on these ideas while on a motorcycle journey with his son, engaging in discussions that delve into the essence of human values and the pursuit of meaning in life. more

Author

Robert M. Pirsig
Robert M. Pirsig

Robert M. Pirsig was an American writer best known for his philosophical novel 'Zen and the Art of Motorcycle Maintenance.' This work combines philosophical thinking with travel adventure, exploring the concepts of quality, value, and the meaning of life. more

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“Student: Master, I did exactly as you said, climbed the stairs, wandered through narrow streets, talked to many different people, read books, but still did not gain wisdom! Master: Oh yeah, then do the opposite of what I said, maybe it will work! Student: You're mocking me, master! Master: No! If one path did not lead you to success, you will try another path, that's what I'm telling you!”

“As I read deeper in the Zen poets, I soon stumbled upon Ikkyū, the fifteenth-century sword-wielding monk of Daitokuji, who had entered a temple at the age of six and gone on to express his contempt for the corrupt monasteries of his time in famously controversial poems. Like the Sixth Dalai Lama, in his way, Ikkyū had been a patron - and a laureate - of the local taverns, and of the pretty girls he had found therein; and like his Tibetan counterpart, or John Donne in our own tradition, he had deliberately conflated the terms of earthly love with those of devotion to the Absolute. The very name he gave himself, "Crazy Cloud", had played subversively on the fact that "cloud water" was a traditional term for monks, who wandered without trace, yet "cloud rain" was a conventional idiom for the act of love. His image of the "red thread" ran through the austere surroundings of his poems as shockingly as the scarlet peonies of Akiko. And in his refusal to kowtow to convention, the maverick monk had turned every certainty on its head: whores, he said, could be like ideal monks - since they inhabited the ideal Zen state of "no min" - while monks, in selling themselves for gold brocade, were scarcely different from whores. Many of his verses trembled with this ambiguity. One couplet, taken one way, was translated as "Making distinctions between good and evil, the monk's skill lies in knowing the essential condition of the Buddha and the Devil"; taken another way, it meant: "That girl is no good, this one will do; the monk's skill is in having the appetite of a devilish Buddha.”