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Quote by Alasdair MacIntyre

“To treat someone else as an end [as opposed to a mean] is to offer them what I take to be good reasons for acting in one way rather than another, but to leave it to them to evaluate those reasons.”

Quote by Alasdair MacIntyre

Work

After Virtue

In this work, the author delves into the nature of virtue and morality, examining historical and contemporary perspectives on ethics. The book explores the evolution of moral thought and the challenges faced in applying ethical principles to modern life. more

Author

Alasdair MacIntyre
Alasdair MacIntyre

Alasdair MacIntyre, born on January 12, 1929, is a renowned philosopher whose work focuses on moral philosophy, political philosophy, and ethics. He is best known for his revival of traditional virtue ethics and his critical analysis of modern moral issues. more

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“En la vida no todo es seguridad. Es ser capaces de recoger los pedazos después de que todo haya pasado y continuar adelante. Podemos elegir el ser unos cobardes que temer dejar a alguien entrar en nuestro interior y hacerlo todo solos o podemos elegir el ser valientes y dejar que alguien esté a nuestro lado y nos ayude. Yo no soy una cobarde. Nunca lo he sido. Y no tengo ninguna intención de irme a otro lugar que no sea el que está a tu lado. Para siempre. Ya sea en la Tierra o en este infierno si es lo que se necesita. Yo siempre estaré contigo. En ese momento, Seth se dio cuenta de que no necesitaba la golondrina para evadirse del dolor. Todo lo que necesitaba era a ella. Y además tenía razón. Se necesitaba mucho más valor para dejar el corazón abierto a otra persona que el mantenerlo cerrado. Dejar que alguien se metiera muy dentro de ti donde sólo ellos pudieran herirte. Sólo Lydia podría destruirle. Y, sin embargo, sólo le había dado una vida... al menos una que merecía la pena vivir.”

“I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture. Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces. I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.”