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Quote by William H. Macy

“I feel very secure about the role of the actor in the future. They need us, because stories are about people.”

Quote by William H. Macy

Author

William H. Macy

William H. Macy, born on March 13, 1950, is an accomplished American actor known for his versatile performances in film and television. He gained widespread recognition for his roles in 'Falling Down' and 'Justified', and his performances have been highly praised by both critics and audiences. more

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“I think what all actors share is that, somewhere down in your solar plexus, there's this fear that you're not going to be able to come up with the goods, that this is the one movie where you're going to look like a fool, and they should have cast someone else. And you feel ugly, and you've got three chins, and you've gained too much weight, and you're losing your hair, and there are so many better actors who could do this. But if you've got chops, what you realize is that everybody feels that way, so just show up and do the job.”

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“I really love hanging out on the set, and I love the life, and all of that. But I don't think I could stick with this profession if it weren't for those 15 minutes a day when I get to act. That's the part I love. For some strange reason, it's the time that I'm the least self-conscious in my whole life.”

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“The roughest part is showing up. Once you throw yourself into the scene, it's just great fun to let it all go and not be self-conscious, and stop questioning whether you're sufficient.”

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“You have to do whatever you can to limit the things that could make you feel insecure.”

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“You should know the lines, be prepared, get sleep, and have the script analyzed so you're ready to rock and roll.”

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“Nothing else counts except what you want.”

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“I've studied Stanislavsky, and Mamet taught Stanislavsky, and I studied with Sanford Meisner. But the part of the method that I think is the most fruitful is the method of physical actions. It all comes down to your objective: Nothing else counts except what you want. How you feel will take care of itself.”

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“All that back-story stuff doesn't help. What you get paid for is to stand toe-to-toe with the other actor and get him to do your will.”

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“Every scene has two people who want two different things, so there's conflict in every scene. You've got to duke it out, and you've got to get the other person to change his or her mind and do it your way.”

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