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Quote by Robert E. Stansfield-Cudworth

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Incipiencies: A Primitiae of Poetry

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Author

Robert E. Stansfield-Cudworth

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“Just as the hero of a play... - be it Oedipus or Hamlet or Arturo Ui - was often an archetype, standing for individual consciousness of every human being, so the double act could be seen as the simplest representation of an entire society... Look at Vladimir and Estragon, ... look at Laurel and Hardy; even look at Morecambe and Wise - and you see a pared-down image of a more-or-less functioning society. Human beings doing their best to get along together; unable to hide their impatience, sometimes, with the recalcitrant behaviour of their fellow earth-dwellers, but each unable to do without the other.”

“The main institutions in an established democracy no longer seem to work for the people. The man in the street is thinking: nothing is ever going to change, and if that's the case, you disinvest in the society around you and look elsewhere for purpose. Once you get that level of distrust, it's pretty clear where people will turn to get some kind of solace...the internet.”

“The distinctive and dominant characteristic of the capitalist market is not opportunity or choice but, on the contrary, compulsion. Material life and social reproduction in capitalism are universally mediated by the market, so that all individuals must in one way or another enter into market relations in order to gain access to the means of life. This unique system of market-dependence means that the dictates of the capitalist market – its imperatives of competition, accumulation, profit-maximization, and increasing labour-productivity – regulate not only all economic transactions but social relations in general.”

“Even Tatum’s story spoke volumes by not speaking much at all, for it nodded to the shame one might feel or the paradox of a game that valorizes violence and then is horrified by its consequences. … What I felt then was that the story of Darryl Stingley broke some invisible law of justice, one that reigned in all of my cartoons. I knew that football was violent — it was the violence that backlit Tony Dorsett’s escape act. But violence was the antagonist in a story with a happy ending. It could never win, could it? (p.10)”