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Quote by Shane Meadows

“I suppose my dream was always about existing outside of London. Obviously the film world 10 years ago, when I first kicked off, was a very different landscape. Meeting anyone for a job on the crew, and on the cast, always meant a trip to London for me. But it's changed quite dramatically. You can't completely exist outside of what's down there, but things have changed massively.”

Quote by Shane Meadows

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Shane Meadows
Shane Meadows

Shane Meadows is a British film director known for his distinctive style and profound insights into social issues. His films often focus on the industrial towns of northern England, exploring themes of class, identity, and community change. more

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“There were more people against going into Iraq than there were going into the Falklands... but the shame I carry as a British resident, was that it was a war handled in the media as if it were a World Cup summer. Like when England go into the World Cup, there are Union Jacks on the papers, and you can look at headlines from the time and it sounded just like that. Ultimately, I was privy to footage from ITN archives - that wasn't shown on television - of the people we were fighting, and it was shameful. It was bullying. It was really horrible. How could we have been proud of winning that?”

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“If you look back on the period, the 1980s has never been seen as cool. You think of the music, and it always has a kitsch quality to it because everyone looks so ridiculous. Even the Nineties, with The Stone Roses and other bands, was cool before the Eighties. It really missed the boat! The Sixties was always cool, even then. That was my Dad's era and I was always jealous of that. But now, as an adult, looking back, we were part of this mental time. It was the most enormous amount of tribes that could have ever existed in one place.”

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“In the Sixties, it was mods and rockers, and hippies and casuals, whereas in the early Eighties, there was Goths, punks, mods, skinheads, New Romantics, casuals, metal heads... the streets looked completely different. You go into town now and you can't tell one kid from another - you don't know what they're into. You can sort of tell a skateboard kid because his trousers are half way down his legs, but that's about it. Back then, people wore their hearts on their sleeves. It was a really bold time.”

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