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Quote by Feodor Dostoevsky

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White Nights

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Feodor Dostoevsky

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“The reason why Professor Earle was pleased with this Prose Diction, and why Mr. W. B. Yeats believes that 'in this century he who does not strive to be a perfect craftsman achieves nothing,' is that men understand now the im- possibility of speaking aloud all that is within them, and if they do not speak it, they cannot write as they speak. The most they can do is to write as they would speak in a less solitary world. A man cannot say all that is in his heart to a woman or another man. The waters are too deep between us. We have not the confidence in what is within us, nor in our voices. Any man talking to the deaf or in dark- ness will leave unsaid things which he could say were he not compelled to shout, or were it light; or perhaps he will venture once — even twice— and a silence or a foolish noise prohibits him. But the silence of solitude is kindly; it allows a man to speak as if there were another in the world like himself; and in very truth, out of the multitudes, in the course of years, one or two may come, or many, who can enter that solitude and converse with him, inspired by him to confidence and articulation. Wisely did Quintilian argue against dictation, that ‘privacy is rendered impossible by it; and that a spot free from witnesses and the deepest possible silence are the most desirable for persons engaged writing, no one can doubt. You are not therefore necessarily to listen to those who think that groves and woods are the most proper places for study. ... To me, assuredly, such retirement seems rather conducive to pleasure than an incentive to literary exertion. Demosthenes acted more wisely, who secluded himself in a place where no voice could be heard, and no prospect contemplated, that his eyes might not oblige his mind to attend to anything else besides his business. As to those who study by lamplight, therefore, let the silence of the night, the closed chamber, and a single light, keep them, as it were, wholly in seclusion. . . .”

“When a man is a fair way and sees all life open in front of him, he seems to himself to make a very important figure in the world. His horse whinnies to him; the trumpets blow and the girls look out of windows as he rides into town before his company; he receives many assurances of trust and regard - sometimes by express in a letter - sometimes face to face, with persons of great consequence falling on his neck. It is not wonderful if his head is turned for a time. But once he is dead, were he as brave as Hercules or as wise as Solomon, he is soon forgotten. It is not ten years since my father fell, with many other knights around him, in a very fierce encounter, and I do not think any of them, nor so much as the name of the fight, is now remembered. No, no, madam, the nearer you come to it, you see that death is a dark and dusty corner, where a man gets into his tomb and has the door shut after him till the Judgement Day. I have few friends just now, and once I am dead I shall have none.”

“Il y a ces moments vains où l'on reste des heures en manteau sur le canapé, parce qu'on ne trouve pas la force de descendre acheter du pain. Ces heures massacrées devant la télévision, juste pour que ce fond sonore nous gave l'esprit. Ces moments où il faut se bourrer la tête de sons et d'images pour ne surtout pas être tenté de penser à quoi que ce soit, parce que les seules idées qui viennent sont suicidaires.”