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Quote by Lev Grossman

“...being around him wasn’t good for Quentin. He could feel himself regressing in the direction of an adolescent tantrum—it was like trying to talk to his parents. He lost all perspective on who he was and how far he’d come.”

Quote by Lev Grossman

Work

The Magician King

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Author

Lev Grossman
Lev Grossman

Lev Grossman is an American novelist, best known for his fantasy novel series 'The Magicians'. His works blend literary depth with rich imagination, earning him widespread acclaim. more

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“What I feel now doesn't matter at all? But at what point am I entitled to say to myself, what I am feeling now is valid? After all, Anna-' Here Tommy turned to face her: 'one can't go through one's whole life in phases. There must be a goal somewhere.' His eyes gleamed out hatred; and it was with difficulty that Anna said: 'If you're suggesting that I've reached a goal, and I'm judging you from some superior point, then it's not true.' 'Phases,' he insisted. 'Stages. Growing pains.' 'But I think that's how women see-people. Certainly their own children. In the first place, there's always been nine months of not knowing whether the baby would be a girl or a boy. Sometimes I wonder what Janet would have been like if she'd been born a boy. Don't you see! And then babies go through one stage after another, and then they are children. When a woman looks at a child she sees all the things he's been at the same time. When I look at Janet sometimes I see her as a small baby and I feel her inside my belly and I see her as various sizes of small girl, all at the same time.' Tommy's stare was accusing and sarcastic, but she persisted: 'That's how women see things. Everything in a sort of continuous creative stream-well, isn't it natural we should?”

“You know all those bad girls who take off their selendang and put round their neck like fashion-show? One day, when the wind is very strong, the selendang will catch the wind. Then it will swing up and down and then round and round so fast, very fast, until it traps the spirit of the wind. Then it will grow long and thick and wrap itself round and round and round this girl’s neck. And then, when the girl cannot breathe, it will swallow her whole. Be careful, girl, be careful how you wear this.”

“The most valuable thing [Anton LaVey] did that day was to help me understand and come to terms with the deadness, hardness and apathy I was feeling about myself and the world around me, explaining that it was all necessary, a middle step in an evolution from an innocent child to an intelligent, powerful being capable of making a mark on the world.”

“Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.”