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You Too Can Have a Body Like Mine

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Alexandra Kleeman

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“In my art history degree course, we did a module on palimpsests—medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view. Sometimes I have a sense that this house—our relationship in it, with it, with each other—is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame.”

ArtHouseMetaphorSettingSimileCreepyArt HistoryJ P DelaneyReferencesThe Girl BeforeEmma Matthews
Book:The Girl Before
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“There are times when any amount of being within the world is like rubbing bare skin against sandpaper, when any form of motion is a kind of abrasion, leaving you raw and pink and vulnerable to the next thing. At these times I prefer to close my eyes and be still, still like the cups or candles or crackers on the table, nerveless and open. I closed my eyes and tried to think of the thing furthest from my situation.”

SimileDescriptiveAlexandra KleemanIntimations
Book:Intimations: Stories
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“Hell! His beard grows fast as blazes, like a damp wicket in springtime sun, green, and Rachel's skin is so fine, his bristles can score her red the way a new ball marks a bat, English alum on English unbleached willow, finest quality, special selection, Rachel-grade. Zach, my man, you have cricket on the brain! Thomas has asked him to play on Sunday. Bring Rachel, he said. Thomas 'All Souls' Aubry, gentleman, corinthian at heart, and half French yet more English than a true-born.”

KissingCricketSimileBeardEnglishDescriptiveBe My WolffEmma RichlerStream Of Consciousness
Book:Be My Wolff
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“That night I dreamt about the roses laid at the wrong feet—the feet of the nurse. Each bit of the dream was like a hyperlink. I pressed on one, wanting answers, and it took me to another. I could never get to the meaning at the bottom of any of the bits. When I reached for the petals of the roses, I was touching a metal seatbelt buckle in a coach, driving by night through a remote place, with a band of mist running parallel to the glass I leant against.”

DreamTechnologyDreamsComputerSympathySimileOlivia Sudjic
Book:Sympathy
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