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Quote by Yukito Ayatsuji

“I placed my pipe on its stand and started getting dressed. I took my pyjamas off, put on a shirt and trousers, and a dressing gown on top. When I had managed to do all of this, I put the cotton gloves on both my hands. And finally, it was time to put on my face. My mask.”

Quote by Yukito Ayatsuji

Book:The Mill House Murders
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The Mill House Murders

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Yukito Ayatsuji

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“From the earliest days of man there has endured the conviction that there is an order of existence which is entirely strange to him. It does indeed seem that the strict order of the visible world is only a semblance, one providing certain gross materials which become the basis for subtle improvisations of invisible powers. Hence, it may appear to some that a leafless tree is not a tree but a signpost to another realm; that an old house is not a house but a thing possessing a will of its own; that the dead may throw off that heavy blanket of earth to walk in their sleep, and in ours. And these are merely a few of the infinite variations on the themes of the natural order as it is usually conceived. But is there really a strange world? Of course. Are there, then, two worlds? Not at all. There is only our own world and it alone is alien to us, intrinsically so by virtue of its lack of mysteries. If only it actually were deranged by invisible powers, if only it were susceptible to real strangeness, perhaps it would seem more like a home to us, and less like an empty room filled with the echoes of this dreadful improvising. To think that we might have found comfort in a world suited to our nature, only to end up in one so resoundingly strange!”

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Book:The nightmare factory
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“Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny,' where the apparently supernatural is revealed as illusory, or 'the marvelous,' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic.”

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Book:The Haunted dusk: American supernatural fiction, 1820-1920
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“In any event, whether a supernatural tale remains altogether fantastic or eventually modulates to the uncanny or the marvelous, the reader is faced with disconcerting ontological and perceptual problems. Indeed, the disorienting effect of the supernatural encounter in fiction seems to reflect some deeper disorientations in the culture at large.”

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Book:The Haunted dusk: American supernatural fiction, 1820-1920
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