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Quote by Mark Shields

“I think she [Hillary Clinton] would be far superior to President [Barack] Obama, who is basically remote, aloof and not involved with - he doesn't deal with members of Congress.”

Quote by Mark Shields

Author

Mark Shields is an accomplished columnist, born on May 25, 1937. His career in political commentary and journalism is marked by his insightful analysis and sharp viewpoints. more

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“[Hillary Clinton] showed, while in the Senate, that ability to connect and reach across and to forge alliances. I think she will be better [than Barack Obama]. But I think the problem with connecting emotionally with the people remains at large is - in a wholesale way.”

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“I never know what to call the subjects in my pictures because I'm uncomfortable with the word actor. I think maybe subjects might be more accurate - or maybe even more accurate is objects.”

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“What's important to me is that there's a necessary alienation between me and the subject. I don't want to know them well. I don't want to have any intimate contact with them.”

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“For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.”

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“Since a photograph is frozen and mute, since there is no before and after, I don't want there to be a conscious awareness of any kind of literal narrative. And that's why I really try not to pump up motivation or plot or anything like that.”

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“I want to privilege the moment.”

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“The viewer is more likely to project their own narrative onto the picture.”

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“I'm very moved by the fact that people are drawn into the pictures and that they do bring their own history and their own interpretation to the photograph. I think that's why they work in a certain way.”

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“I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.”

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“I was never conscious of filming except for when I was location scouting. In a way, that is the most important part of the entire process - and the most private. I'm so used to doing that alone. Unlike every other part, it's just me, alone, on location.It's very hard to describe what I'm looking for - something that feels both familiar and strange at the same time. It's not enough for it just to be strange or mysterious, it also has to feel very ordinary, very familiar, and very nondescript.”

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