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Quote by Margaret Cho

“You didn't hear Yello until later in the night in the bondage clubs. Things would start getting crazy and that's when you'd hear Yello. It was bad.”

Quote by Margaret Cho

Author

Margaret Cho is an American comedian, singer, writer, and television producer. Known for her unique sense of humor and insightful commentary on social issues, she was born on December 5, 1968. Cho, of Korean-American descent, often addresses topics such as race, gender, and sexual orientation in her work. more

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“I was crazy about the song "Doot Doot," so I usually love this genre of weird, European electronic.”

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“I don't like to criticize music and I had a really hard time picking out the song I hate for this because I end up seeing and working with musicians all the time.”

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“I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.”

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“I don't like catchphrases either. A current one would be, "Bye, Felicia." It's used so much that we don't even know the origin anymore.”

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“I have a song about how much I hate emojis and the lazy thinking of people who use them. I wish that more people had respect for the English language.”

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“It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.”

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“Every man is rich or poor according to the proportion between his desires and his enjoyments.”

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Book:The Works of Samuel Johnson, LL. D.: With an Essay on His Life and Genius /c by Arthur Murphy, Esq

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“I feel like this song [Yello, "Oh Yeah"] was probably done in a couple of minutes in a studio. There was probably no thought behind it; they were just playing with some samples and threw it together. I feel like there's no dream behind the song. Usually there's a dream or some kind of passion attached to a song. This song feels very empty. It made a lot of money for the songwriters but at the expense of culture.”

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“I was about 17 or 18 and there were a lot of clubs and dancing. It was the beginning of rave culture and a lot of ecstasy. Because of all the drugs, there are certain songs that make me feel high.”

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