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Quote by Tony Kushner

“There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.”

Quote by Tony Kushner

Author

Tony Kushner is an American playwright known for his profound social and political commentary and complex character development. His works often explore historical, moral, and identity issues, reflecting the diversity and complexity of American society. His most famous works include 'Angels in America' and 'Homebody/Kabul.' Kushner has received numerous awards for his outstanding contributions to theater, including the Pulitzer Prize. more

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“I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.”

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“Part of what makes for good writing is an ear for what we would call the poetical. Poetry itself is another thing and it seems to me to be the most difficult writing - that those people are the best writers and they lead the way for everyone else and their writing is frighteningly great.”

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“I have kind of an almost religious feeling about poets. I usually refuse to meet them because I admire them so much. Except for Poe.”

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“I don't know anything about making movies. I'd never been on a film set. I'm really kind of an idiot when it comes to figuring out where objects are in space. If they're both moving, I can't do the math. If you ever see me driving down a road, go somewhere else quickly.”

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“Being on a film set is like being in tech forever. In theater, when you finally finish rehearsing, you go onstage and you do the lights and the sets and you make the machine of the production work. It takes usually about ten days in the theater, two or three weeks if it's a really big musical. I mean, it's hell on earth. You just sit around forever while they adjust the lights. And every playwright with half a brain runs for the hills when tech starts because it's so boring, and you don't want to talk to the director because the director is running this giant machine.”

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“I think we all recognize that one of the problems in American culture is that increasingly, there's no middle ground. That either you're a celebrity writer or a celebrity poet, or else you're nothing.”

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“When you are out of favor, so to speak, it's not just the reviewers. It's the editors, the publishers, they don't want you anymore, you're just gone and you've been written out of history as effectively as the old Stalinists would write someone else out, take their photograph out of a book.”

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