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Quote by Samuel Beckett

“There is no escape from yesterday because yesterday has deformed us, or been deformed by us. The mood is of no importance. Deformation has taken place.”

Quote by Samuel Beckett

Book:Proust

Work

Proust

In this epic novel, the author delves into the consciousness of the protagonist, Marcel, as he revisits his past and reflects on the complexities of human experience. The narrative is characterized by its stream-of-consciousness style, which allows for a profound exploration of memory and the passage of time. The novel is divided into three volumes: 'Swann's Way', 'In the Shadow of Young Girls in Flower', and 'The Guermantes Way'. Proust's work has had a significant impact on the development of the novel as a literary form. more

Author

Samuel Beckett
Samuel Beckett

Samuel Beckett was an Irish novelist, playwright, and poet, widely regarded as one of the most influential writers of the 20th century. His works are characterized by their minimalist style, existential themes, and use of language. His most famous works include 'Waiting for Godot' and 'Molloy'. Beckett was awarded the Nobel Prize in Literature in 1969. more

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“All this business of a labour to accomplish, before I can end, of words to say, a truth to recover, in order to say it, before I can end, of an imposed task, once known, long neglected, finally forgotten, to perform, before I can be done with speaking, done with listening, I invented it all, in the hope it would console me, help me to go on, allow me to think of myself as somewhere on a road, moving, between a beginning and an end, gaining ground, losing ground, getting lost, but somehow in the long run making headway.”

“You know, without my telling you, how sometimes a word or name eludes you, and you seek it through running ghosts of shadow -- leaping at it, lying in wait for it to spring upon it, spreading faint snares for it of sense or sound: until, of a sudden, as if in a phantom forest, you hear it, see it flash among the branches, and scarcely knowing how, suddenly have it.”

“I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort - I mean I didn't give a damn about the meaning, I just wanted to master the form - all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do.”