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Quote by Anne Morrow Lindbergh

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War within and without: diaries and letters of Anne Morrow Lindbergh, 1939-1944

Comprising diaries and letters, the book provides a glimpse into the life of Anne Morrow Lindbergh during the tumultuous years of 1939 to 1944. It captures her thoughts and emotions amidst the backdrop of World War II, offering a unique perspective on the period. more

Author

Anne Morrow Lindbergh
Anne Morrow Lindbergh

Anne Morrow Lindbergh was an accomplished American author known for her profound personal experiences and elegant literary style. Born on June 22, 1906, and passing away on February 7, 2001, she was not only Charles Lindbergh's wife but also an independent writer and thinker. Her writing career began in the 1930s, with works spanning novels, poetry, and prose. Her first book, 'We Are the Ship,' is a memoir about her life with her husband. Despite the challenges in her marriage, she remained passionate about life and writing. Her other notable works include 'Gift from the Sea' and 'The Aviator's Wife,' which delve into themes of female identity, marriage, and the deeper questions of human existence. Lindbergh's writing has been praised for its insightful observations and beautiful language. Her works have had a wide-reaching impact both in the United States and internationally, influencing subsequent writers and considered an important figure in 20th-century American literature. more

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“In general, I feel, or I have come to feel, that the richest writing comes not from the people who dedicate themselves to writing alone. I know this is contradicted again and again but I continue to feel it. They don't, of course, write as much, or as fast, but I think it is riper and more satisfying when it does come. One of the difficulties of writing or doing any kind of creative work in America seems to me to be that we put such stress on production and material results. We put a time pressure and a mass pressure on creative work which are meaningless and infantile in that field.”

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“... not only is life put in new patterns from the air, but it is somehow arrested, frozen into form. (The leaping hare is caught in a marble panel.) A glaze is put over life. There is no flaw, no crack in the surface; a still reservoir, no ripple on its face. Looking down from the air that morning, I felt that stillness rested like a light over the earth. The waterfalls seemed frozen solid; the tops of the trees were still; the river hardly stirred, a serpent gently moving under its shimmering skin.”

StillsLightEarthFacesMovingFormFeltMorningAirTreeRiversSkinsPatternsCaughtSurfaceFlawsCracksStillnessFrozenArrestedMarbleRippleSerpentReservoirsWaterfallsLooking DownHares
Author:Anne Morrow Lindbergh
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“The signs that presage growth, so similar, it seems to me, to those in early adolescence: discontent, restlessness, doubt, despair, longing, are interpreted falsely as signs of decay. In youth one does not as often misinterpret the signs; one accepts them, quite rightly, as growing pains. One takes them seriously, listens to them, follows where they lead. ... But in the middle age, because of the false assumption that it is a period of decline, one interprets these life-signs, paradoxically, as signs of approaching death.”

DoeSeemsAgePainGrowthAcceptingDoubtGrowingMiddleYouthPeriodsDespairLongingAssumptionDeclineDecayAdolescenceMiddle AgesDiscontentRestlessnessGrowing PainsFalse AssumptionsApproaching Death
Author:Anne Morrow Lindbergh
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