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Quote by Patricia C. Wrede

Work

Thirteenth Child

In a world where the thirteenth child is considered to bring bad luck, this novel follows the life of a young girl who is the thirteenth child in her family. The story delves into her journey as she navigates her destiny and the challenges that come with being the bearer of a curse. The narrative explores themes of family, identity, and the struggle to overcome societal expectations. more

Author

Patricia C. Wrede
Patricia C. Wrede

Patricia C. Wrede (born March 27, 1953) is an acclaimed American fantasy author, best known for the Enchanted Forest Chronicles and the Lyra series. Her works are celebrated for their humor, wit, and subversion of traditional fantasy tropes, appealing to both young adult and adult readers. Born in Chicago, Illinois, she earned a biology degree from Carleton College before turning to writing. Wrede served as president of the Science Fiction and Fantasy Writers of America (SFWA) and has been nominated for multiple Nebula and Hugo Awards. Her innovative storytelling has left a lasting mark on the fantasy genre. more

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“The moral authority in the Western world is gone. And it is gone forever. It is gone, not because of the criminal record--everybody's record is criminal. It is gone because you cannot do one thing and pretend you're doing another! None of us, who are sitting around in some of the true limbo out-of-space, which we call "now," waiting to be saved, civilized, or discovered, have the moral authority to say anything.”

“My mother, unlike yours, never exchanged sexual favors for a piece of silver," he said, addressing the first insult by banging the boy's head against the trunk of the tree. "And," he said with another resounding thump, "although I'm very familiar with that part of the female body, I take offense at being labeled one.”

“In reading we must become creators. Once the child has learned to read alone, and can pick up a book without illustrations, he must become a creator, imagining the setting of the story, visualizing the characters, seeing facial expressions, hearing the inflection of voices. The author and the reader "know" each other; they meet on the bridge of words.”