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Quote by Octavio Paz

“Two opposing forces inhabit the poem: one of elevation or up-rooting, which pulls the word from the language: the other of gravity, which makes it return. The poem is an original and unique creation, but it is also reading and recitation: participation. The poet creates it; the people, by recitation, re-create it. Poet and reader are two moments of a single reality.”

Book:The Bow and the Lyre: The Poem, The Poetic Revelation, Poetry and History

Work

The Bow and the Lyre: The Poem, The Poetic Revelation, Poetry and History

The work delves into the significance of poetry as a historical document, analyzing how it reflects and shapes societal values, beliefs, and experiences over time. more

Author

Octavio Paz

Octavio Paz (March 31, 1914 - April 19, 1998) was a renowned Mexican poet, essayist, and diplomat. He is considered one of the greatest Spanish-language poets of the 20th century, known for his unique poetic style and profound intellectual depth. more

“A work of (whatever) art can be either 'received' or 'used'. ...'Using' is inferior to 'reception' because art, if used rather than received, merely facilitates, brightens, relieves or palliates our life, and does not add to it ... When the art in question is literature a complication arises, for to 'receive' significant words is always, in one sense, to 'use' them, to go through and beyond them to an imagined something which is not itself verbal.”

Ifs Doe Art Use Used Poetry Literature Our Lives Add Significant Arise Inferiors Complication Facilitate Reception

Author:C. S. Lewis

“Pound had argued - and Eliot had helped him prove - that a poem could be sustained by memorable moments. Olson proved that it could be sustained by unmemorable ones, provided that the texture of the accumulated jottings avoided the sound of failed poetry.”

Moments Poetry Literature Sound Prove Memorable Pounds Avoided Texture Eliot Memorable Moments

Book:Poetry Notebook: 2006–2014

Source: Poetry Notebook: 2006–2014

“One way or another, all the poets of the thirties and forties reacted to Auden, either by rejecting him or trying to absorb him.”

Way Trying Poetry Literature Poet One Way Forty Rejecting Auden

Book:Poetry Notebook: 2006–2014

Source: Poetry Notebook: 2006–2014

“For Mallarmé naming an object meant suppressing three-quarters of its poetic pleasure (which consists in the joy of guessing bit by bit - "le suggérer, voilà le rêve!").”