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Quote by Sophia Takal

“Definitely in movies, girls talk about boys all the time. And even in real life, I feel like a lot of my conversations revolved around - or maybe not now because I'm getting a little older - obsessing over boys.”

Quote by Sophia Takal

Author

Sophia Takal is an individual whose profession and category are unknown. Limited information is available about her, making it impossible to provide detailed biographical information regarding her life experiences, achievements, contributions, and overall impact. more

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“All my friends make really small, naturalistic, dialogue-heavy movies, so I'm kind of used to that. I didn't want my movie to be rambly and I didn't want it to be cutesy, or quirky, or clever.”

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“I love editing, and I don't mind when things are edited and you can see the editing.”

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“I think a fear of portraying something negatively ends up creating more stereotypes. Like a fear of going into these negative feelings that I have had and a lot of women that I've spoken to have had creates these sort of plasticky women.”

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“I really like Woody Allen, I really like John Cassavetes, and I really like movies that are super-naturalistic. I studied film studies in college, but I slept through all the movies, and I love film but I don't have a lot to reference. And so I don't know what my influences are and I don't know where this came from at all.”

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“A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.”

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“In some ways, Lotus Eaters is a journey disguised as a party film; there's a circus in the movie, and there are parties, but the real story is of an internal journey. There's themes of emptiness and excess and beauty and grief around it, but it's always surrounded by these glamorous events, and those are ways of waylaying her on her journey in the same way that it is in the ancient Greek story.”

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“We wanted to have in Lotus Eaters something that looks really beautiful on the outside but is not necessarily on the inside. There's a lot of superficial references. I remember we were looking at Helmut Newton's photographs - they just look so glossy and beautiful, but you look closely and you can see the cellulite.”

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“Everyone in the Lotus Eaters is so concerned with appearances, but there's an emptiness under the surface that they're trying to ignore. We talked about the theme of perception versus reality a lot with mirrors and masks what people were wearing - and we shot on two formats; we shot it on film and on digital, and a lot of the night-time scenes are film, and it looks better, and people can put on a mask and they can go out there and show an artifice to the world.”

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“Lotus Eaters is a movie about people who can't really be alone, but they're always alone, really, even when they're together.”

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“I did not initially take to the music of the Ramones, because I had never really heard of them before. Allan Arkush had given me a cassette of the Ramones and said, "You're their No. 1 fan, so I want you to know all of their songs and fall in love with these guys." I put the cassette on and I remember running around the house going, "Oh my God. That's music?"”

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