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Ancient Greek Quotes

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Ancient Greek Quotes

“Well, when do we act like sheep: when we act for the sake of the belly, or of our sex-organs, or at random, or in a filthy fashion, or without due consideration, to what level have we degenerated? To the level of sheep.”

“The value of Greek prose composition, he said, was not that it gave one any particular facility in the language that could not be gained as easily by other methods but that if done properly, off the top of one's head, it taught one to think in Greek. One's thought patterns become different, he said, when forced into the confines of a rigid and unfamiliar tongue. Certain common ideas become inexpressible; other, previously undreamt-of ones spring to life, finding miraculous new articulation. By necessity, I suppose, it is difficult for me to explain in English exactly what I mean. I can only say that an incendium is in its nature entirely different from the feu with which a Frenchman lights his cigarette, and both are very different from the stark, inhuman pur that the Greeks knew, the pur that roared from the towers of Ilion or leapt and screamed on that desolate, windy beach, from the funeral pyre of Patroklos. Pur: that one word contains for me the secret, the bright, terrible clarity of ancient Greek. How can I make you see it, this strange harsh light which pervades Homer's landscapes and illumines the dialogues of Plato, an alien light, inarticulable in our common tongue? Our shared language is a language of the intricate, the peculiar, the home of pumpkins and ragamuffins and bodkins and beer, the tongue of Ahab and Falstaff and Mrs. Gamp; and while I find it entirely suitable for reflections such as these, it fails me utterly when I attempt to describe in it what I love about Greek, that language innocent of all quirks and cranks; a language obsessed with action, and with the joy of seeing action multiply from action, action marching relentlessly ahead and with yet more actions filing in from either side to fall into neat step at the rear, in a long straight rank of cause and effect toward what will be inevitable, the only possible end. In a certain sense, this was why I felt so close to the other in the Greek class. They, too, knew this beautiful and harrowing landscape, centuries dead; they'd had the same experience of looking up from their books with fifth-century eyes and finding the world disconcertingly sluggish and alien, as if it were not their home. It was why I admired Julian, and Henry in particular. Their reason, their very eyes and ears were fixed irrevocably in the confines of those stern and ancient rhythms – the world, in fact, was not their home, at least the world as I knew it – and far from being occasional visitors to this land which I myself knew only as an admiring tourist, they were pretty much its permanent residents, as permanent as I suppose it was possible for them to be. Ancient Greek is a difficult language, a very difficult language indeed, and it is eminently possible to study it all one's life and never be able to speak a word; but it makes me smile, even today, to think of Henry's calculated, formal English, the English of a well-educated foreigner, as compared with the marvelous fluency and self-assurance of his Greek – quick, eloquent, remarkably witty. It was always a wonder to me when I happened to hear him and Julian conversing in Greek, arguing and joking, as I never once heard either of them do in English; many times, I've seen Henry pick up the telephone with an irritable, cautious 'Hello,' and may I never forget the harsh and irresistible delight of his 'Khairei!' when Julian happened to be at the other end.”

“Sappho isn't really meant to be read. It's meant to be sung and there were dances for the songs, also. Sappho was a performance artist, and now she exists as a textual project. She was saved by her critics, and by people who wrote of her in letters to each other. As the morning sun lathers the pool through the long windows and stripes the opposite walls in gold, I look at the fragment translations. She's paper, too. A paper poet for a paper boy. People claim to be translating her but they don't, really, they use her to write poems from as they fill in the gaps in the fragments. A duet. She may have meant for these to be solos but they're duets now, though the second singer blends in with the first. The first singer in this case is offstage, like in the old days of stars who couldn't sing, a real singer hidden behind a curtain, which is the velvet drape of history.”

“If Greek culture has influenced Western civilization, we must not forget that, in spite of the inestimable benefits of Greece to India, the ancient Greeks themselves were also sons of Hindu thought. As has already been mentioned, Pythagoras went to India in order to draw from the very source the principles which constituted the foundation of his doctrine and which in its turn influenced Plato, Socrates and even Aristotle to a certain degree. Apollonius of Tyanae, Plotin, did they not follow in the footprints of their predecessors, in directing themselves towards far-off India? China, Persia, Islam – the three-fourths of Asia – these civilizations which had already been influenced by the missions of Asoka, were they not attracted by India’s wisdom? That is the reason why ancient India is our Mother. In the measure that we Westerners make our intellectual and spiritual genealogy reach back to India shall we learn to love her and to consider in its true light her wisdom, the patrimony of every man.”

“Anybody can become angry - that is easy, but to be angry with the right person and to the right degree and at the right time and for the right purpose, and in the right way - that is not within everybody's power and is not easy.”

“The roots of education are bitter, but the fruit is sweet.”

“Pleasure in the job puts perfection in the work.”

“Courage is the first of human qualities because it is the quality which guarantees the others.”

“In all things of nature there is something of the marvelous.”

“war with poison and chemicals was not so rare in the ancient world ... An astounding panoply of toxic substances, venomous creatures, poison plants, animals and insects, deleterious environments, virulent pathogens, infectious agents, noxious gases, and combustible chemicals were marshalled to defeat foes - and panoply is an apt term here, because it is the ancient Greek word for 'all weapons.”

“One of the interesting things about the ancient Greeks is that they really didn't have our conception of individual rights. They didn't have our conception of all lives matters. And it was really was true for them, that certain lives matter a lot more than others. It didn't dawn on them that all lives, although different, can be lives of equal mattering. And that is actually something a huge ethical lesson.”

“You can learn technological things, you can learn about specific things, but the real problems that people deal with in any subject, existential subjects or romantic subjects, you never learn anything. So you make a fool of yourself when you're 20, you make a fool of yourself at 40, at 60 at 80. The ancient Greeks were dealing with these problems. They screwed up all the time. People do now.”

“There have always been dreamers. Men and women who catch a glimpse of something beyond themselves who dare to reach for goals and visions. .. Yet no earthly dreamer can match the greatest of them all, the Dreamer who died on the cross to make His dream a reality. John 1:1 says, "In the beginning was the Word." The literal meaning of logos, the original Greek term translated as "Word," is idea, thought or blueprint. It is an ancient Greek theatrical term describing the work of a playwright as he conceives, or dreams up, the plot of a play. So we could say, "In the beginning was the dream".”

“There is one bit of advice given us by the ancient Greeks, and by the Jews in the Old Testament, and by the great Christian teachers of the Middle Ages, which the modern economic system has completely disobeyed. All these people told us not to lend money at interest; and lending money at interest - what we call investment - is the basis of our whole system.”

“My parents were only one part of my lineage. I also met a number of mentors, one of whom I nicknamed "Socrates" after the ancient Greek, and wrote about in my first book, Way of the Peaceful Warrior. That book emerged in 1980, as a result of travels around the world and decades of preparation, eventually leading to 15 other books written over the years, culminating in my newest offering, The Four Purposes of Life.”

“Actually learning ancient Greek was a brilliant practice of mine because you'd sit there and you'd read a sentence and sometimes it would take you a day, an entire day to figure out one sentence. But it really trains you to be analytical, to think in a certain way to try and interpret what something means. So I've been thinking like that my whole life and then I love Machiavelli and I love thinking about politics that way. So it's sort of all that put together and then the good luck to meet a man who is sort of interested in the same thing.”

“For the ancient Greeks, who lacked our social media, the only way to achieve mass duplication of the details of one's life in the apprehension of others was to do something wondrously worth the telling. Our wondrous technologies might just save us all the personal bother. Kleos is a tweak away.”