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Quote by Diane Arbus

“The condition of photographing is maybe the condition of being on the brink of conversion to anything.”

Quote by Diane Arbus

Book:Diane Arbus: revelations

Work

Diane Arbus: revelations

Diane Arbus: revelations is a meticulously curated compilation of photographs by the renowned American photographer Diane Arbus. The book features a selection of her most celebrated images, including portraits of marginalized individuals, celebrities, and everyday people. It also includes a selection of lesser-known works that shed light on Arbus's creative process and her exploration of themes such as identity, alienation, and the human condition. The book is accompanied by insightful essays that discuss Arbus's work and its enduring impact on the field of photography. The images are presented in high-quality reproductions, showcasing the intricate details and emotional depth of Arbus's photographs. This volume is a must-have for fans of Arbus's work and for anyone interested in the history and evolution of photography. more

Author

Diane Arbus was an influential American photographer known for her unique perspective and poignant works. Her photographs focused on marginalized groups and the underprivileged, revealing the complexity and diversity of human nature. Arbus' work has had a profound impact on the art world and is considered an important figure in the history of photography of the 20th century. more

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“It would be beautiful to photograph the winners of everything from Nobel to booby prize, clutching trophy, or money or certificate, solemn or smiling or tear stained or bloody, on the precarious pinnacle of the human landscape.”

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Source: Diane Arbus: revelations

“There are an awful lot of people in the world and it's going to be terribly hard to photograph all of them... It was my teacher Lisette Model who finally made it clear to me that the more specific you are, the more general it will be.”

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“These are characters in a fairy tale for grown-ups. Wouldn't it be lovely? Yes.”

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“Quality doesn't mean deep blacks and whatever tonal range. That's not quality, that's a kind of quality. The pictures of Robert Frank might strike someone as being sloppy-the tone range isn't right and things like that-but they're far superior to the pictures of Ansel Adams with regard to quality, because the quality of Ansel Adams, if I may say so, is essentially the quality of a postcard. But the quality of Robert Frank is a quality that has something to do with what he's doing, what his mind is. It's not balancing out the sky to the sand and so forth. It's got to do with intention.”

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Book:The private experience: Elliott Erwitt

Source: The private experience: Elliott Erwitt

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Source: The private experience: Elliott Erwitt

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