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Quote by P.S. Jagadeesh Kumar

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P.S. Jagadeesh Kumar

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“I grew up with the understanding that personal presentation is a way to show respect. I might be most comfortable in jeans and an old T-shirt, but I dress up to go to the theater out of admiration for the performers. I wouldn’t dream of wearing sweatpants to temple, or to church.”

“Bhutan does seem a bit unreal at times. Hardly anybody in the U.S. knows where it is. I have friends who still think the entire country is a figment of my imagination. When I was getting ready to move there, and I told people I was going to work in Bhutan, they'd inevitably ask, "Where's Butane?" It is near Africa," I'd answer, to throw them off the trail. "It's where all the disposable lighters come from." They'd nod in understanding.”

“There is a difference between arrival and entrance. Arrival is physical and happens all at once. The train pulls in, the plan touches down, you get out of the taxi with all your luggage. You can arrive a place and never really enter it; you get there, look around, take a few pictures, make a few notes, send postcards home. When you travel like this, you think you know where you are, but, in fact, you have never left home. Entering takes longer. You cross over, slowly, in bits and pieces. […] It is like awakening slowly, over a period of weeks. And then one morning, you open your eyes and you are finally here, really and truly here. You are just beginning to know where you are.”

“I love how the landscape gives the impression of vast space and intimacy at the same time: the thin brown line of a path wandering up an immense green mountainside, a plush hanging valley tucked between two steep hillsides, a village of three houses surrounded by dark forest, paddy fields flowing around an outcrop of rock, a white temple gleaming on a shadowy ridge. The human habitations nestle into the landscape; nothing is cut or cleared beyond what is requires. Nothing is bigger than necessary. Every sign of human settlement repeat the mantra of contentment: “This is just enough.”

“Time has become a melding of minutes and months and the feeling of seasons. […] Leon says it is the Bhutan Time Warp and I know what he means. Time does not hurl itself forward at breakneck speed here. Change happens very slowly. A grandmother and her granddaughter wear the same kind of clothes, they do the same work, they know the same songs. The granddaughter does not find her grandmother an embarrassing, boring relic.”