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Quote by Jose Alaniz

“If someone's personhood is in doubt (or seen as lacking), all the easier to direct death wishes at them. When a tiny minority of them transgresses, their crimes of violence only confirm their abjection from the human [. . .] Anxiety, threat, dread, fear, and prejudice feed into the explanatory mechanisms that construct them as somehow beyond human, beyond mercy.”

Quote by Jose Alaniz

Book:Death, Disability, and the Superhero: The Silver Age and Beyond
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Death, Disability, and the Superhero: The Silver Age and Beyond

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Jose Alaniz

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“[In "The Night Gwen Stacy Died"], death took on an existential quality -- the beloved, innocent but weak Gwen is merely a victim, the casualty of a war between superpowered rivals -- and as such the episode proved a turning point int eh genre's depiction of mortality.”

SuperheroLiterary CriticismDc ComicsMarvel ComicsDisability StudiesPhysical DisabilityJose AlanizPhysical ImpairmentSilver Age ComicsSpidermanGwen Stacy
Book:Death, Disability, and the Superhero: The Silver Age and Beyond
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“DC Comics is the present day publisher of Superman, Batman, Wonder Woman, and other well-known superheroes. DC is the amalgamation of two different publishing concerns: National Comics, which produced Superman and Batman, and sister company All-American Comics, which produced Wonder Woman, Flash, and Green Lantern. The two companies merged in 1944 to form National Periodical Publications, whose comic books bore the “Superman-DC” logo. The publisher was known colloquially as “DC,” which it later adopted as its official name.”

ComicsDc ComicsSequential Art
Book:Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines
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“However, like Elasti-Girl and Batgirl, many of the DC’s female characters got better treatment than the heroines featured in Marvel Comics. Scanning a comic book rack in the ’60s, the covers would tell two different stories about the women starring within those pages. Wonder Woman and Supergirl starred in comic books that featured their names on the covers. These heroines were often seen performing great feats of strength like battling monsters or stopping missiles with their bare hands. Batgirl’s name might be featured prominently on a cover of Detective Comics. The Doom Patrol’s Elasti-Girl was shown in the thick of battle fighting side by side with her male compatriots. On the Marvel Comics covers, Invisible Girl, Wasp, and Marvel Girl were shown struggling in the clutches of a villain, or watching helplessly from the background as their male teammates took care of business.”

1960sMarvelDc Comics
Book:Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines
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“When DC Comics was trying to figure out how to retool Wonder Woman’s image to make her cooler, they looked at another Diana—Diana Rigg. Rigg had caused a stir as Mrs. Emma Peel when the British TV series The Avengers was imported to the US in 1966. Mrs. Peel defined the heroine of the mod ’60s—brilliant as she was beautiful, witty, champion fencer, martial arts ex-pert, modern artist, crack shot with a pistol, and fearless secret agent. Attired in sleek black leather catsuits or mod body stockings, Emma Peel was a true force to be reckoned with, combining beauty, brains, and power.”

1960sWonder WomanDc ComicsDiana RiggEmma Peel
Book:Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines
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