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Quote by Jeanette Winterson

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Sexing the Cherry

Written by Gabriel García Márquez, this novel is a rich tapestry of dreamlike narratives that intertwine various elements of folklore and magic realism. It follows the story of a young girl who falls in love with a cherry tree, leading to a series of surreal adventures and encounters with mythical creatures. more

Author

Jeanette Winterson
Jeanette Winterson

Jeanette Winterson is a renowned British author known for her distinctive literary style and profound social commentary. Her works span a wide range of themes, including novels, essays, and poetry. Winterson's novel 'Oranges Are Not the Only Fruit' is a story about growth, faith, and sexuality that has received widespread acclaim. more

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“Today men profess to respect her. Some men give up their chairs to her and pick up her handkerchiefs, others recognize her right to occupy any post at all- administrative, executive- any at all. That is what they profess, but their attitude towards her remains the same. She is a means of enjoyment. Her body is a means of giving pleasure. And she is aware of this. It is a form of slavery.”

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Book:The Kreutzer Sonata
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“Let us now remind ourselves that the artist is also a man, and as a man responsible for all that his will consents to; "in order that a man may make right use of his art, he needs to have a virtue which will rectify his appetite." The man is responsible directly, as a murderer for example by intent if he intends to manufacture adulterated food, or drugs in excess of medical requirement; responsible as a promoter of loose living if he exhibits a pornographic picture, (by which we mean of course something essentially salacious, preserving the distinction of “obscene” from “erotic”); responsible spiritually if he is a sentimentalist or pseudo-mystic. It is a mistake to suppose that in former ages the artist’s “freedom” could have been arbitrarily denied by an external agency; it is much rather a plain and unalterable fact that the artist as such is not a free man. As artist he is morally irresponsible, indeed; but who can assert that he is an artist and not also a man? The artist can be separated from the man in logic and for purposes of understanding; but actually, the artist can only be divorced from his humanity by what is called a disintegration of personality. The doctrine of art for art's sake implies precisely such a sacrifice of humanity to art, of the whole to the part. It is significant that at the same time that individualistic tendencies are recognizable in the sphere of culture, in the other sphere of business and in the interest of profit most men are denied the opportunity of artistic operation altogether, or can function as responsible artists only in hours of leisure when they can pursue a “hobby” or play games. What shall it profit a man to be politically free if he must be either the slave of “art,” or slave of “business”?”

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Book:Christian & Oriental Philosophy of Art Formerly: "Why Exhibit Works of Art?"
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