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Quote by Chang-Rae Lee

“I think their pasts are treated with a voice that sees their role as those of innocents. That's reflected in the past time sequences. They're less "written."”

Quote by Chang-Rae Lee

Author

Chang-Rae Lee, born on July 29, 1965, is a renowned American novelist. His works focus on American society and culture, particularly exploring themes of race, identity, and class. Lee's unique writing style has won him a wide audience. more

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“When I'm describing wartime activities or violence I don't want to be too ornate, to prettify the picture. Once we trace them to the present, the prose becomes denser.”

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“I'm more interested in the psychic intricacies that they build up and try to run away from, and how they self-construct. A lot of my work is about self-construction. Here, it's those folks who are deeply wounded and bewildered. They're not just victims of trauma; they've been shaken so forcefully that they don't quite know how or where to stand.”

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“I kind of grew up in a commune, but it wasn't a hippie commune necessarily, but it was a big house with a lot of families, we all lived together and it was the 70s, whatever that means.”

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“There is secrecy and betrayal but that's more part and parcel of the kind of anguish that the people go through. And maybe that's modes of survival, rather than modes of consciousness.”

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“I think because of these big issues of life and death that maybe sex feels like a crass question. But for Christ sake, this is a book that is so interested in an elemental human condition. And one of the ideas about surrender is an erotic surrender, too. These folks are surrendered by destiny; they surrender to each other in certain moments, but there is a lot of erotic surrender.”

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“Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.”

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“Historical novels are about costumery. I think that's the magic and mystery of fiction. I don't want to write historical fiction but I do want the story to have the feel of history. There's a difference.”

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“We thought there was also something that was humorous but at the same time powerful and deep about naming the album, 'Modern Vampires Of The City'.”

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“I feel connected to every song on this record [ 'Modern Vampires Of The City' ], but yeah I think there's something special about 'Young Lion'. It's pretty different from any song that we've had before because the vocals are kind of between two different very simple instrumental piano melodies and it's almost like something that we call a vignette, it's sort of like a miniature.”

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“'Unbelievers' was a song that we felt like we could tackle, so that's one of the reasons we wanted to start playing it live, we really believed in that song and we still believe in that song a lot.”

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