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Quote by Vincent Cassel

“I have a huge relationship with Brazil; it's almost a love affair, I would say. And to me, to introduce that specific martial art like capoeira in Hollywood movies was something important to me.”

Quote by Vincent Cassel

Author

Vincent Cassel (born November 23, 1966) is a French actor, director, and producer. Known for his intense and versatile performances, he gained international recognition for his role in La Haine (1995). He later starred in Hollywood films such as Black Swan (2010) and the Jason Bourne series. Cassel won the César Award for Best Actor for Mesrine (2008). He is regarded as one of France's most influential actors. more

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“I have a tendency to think that that stereotype of American movies and Hollywood movies doesn't exist. Of course you have the studios that have a very hard policy upon their artists, but then I haven't really been doing any real Hollywood movie yet.”

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“Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.”

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“To me, Sheitan movie is the answer to all the problems we have in France concerning immigration. That is a fake problem; people can actually work together and do something very interesting out of it.”

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“I came from stage in high school, and on stage you kind of overdo with putting on a character a little bit. Sometimes you become a character and sometimes the character becomes you.”

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“I'm an optimist. I hope if a movie's good that it will be a success, but that's not always true, just because of popular taste or any other reasons. When something doesn't do better than it deserves to in your mind, it's pretty transparent - you usually know why. Is that a comfort? Yes, because it's logical. Does it make you happy? No, because if you think a movie is beautiful or interesting, you want to share it. Sometimes you make very interesting movies that aren't meant for everybody. But this is a capitalist society, so everything conspires to put value on whether it sells or not.”

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Author:Willem Dafoe

“While we have a very strong popular culture, the roots of American culture are very shallow, and we put emphasis on how a movie does as far as the box office goes. Many years ago, it would have been vulgar to print box - office grosses in the paper. Now The New York Times does it, and it's the big story for people interested in arts and entertainment on Monday. Which is why emphasis has shifted away from filmmakers and fallen on movie stars and business people.”

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“I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.”

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“I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.”

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“If you know what it is before you even start, it's not as interesting. Central to being an actor is pretending, and the adventure of it all. That's why you become a junkie for different kinds of situations. I try to attach myself to people who really inspire me, and directors who are really passionate. That way, I can give myself more fully and trust the impulse behind why the film is being made, and I can be a little more irresponsible in finding out what the character is. I have to worry less about what the character means if I trust the director.”

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“I have some sort of affinity for compulsive behavior. The most interesting stories come up from the people on the outside. They don't waste energy marching to the same drummer most of us do. It gives us an opportunity to look at things in a different way, which is the purest thing cinema can do.”

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