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Quote by Pamela Love

“I'm always interested in collaborating with designers. I love Gaultier. I know that's kind of a high hope!”

Quote by Pamela Love

Author

Pamela Love, born in 1982, is an influential fashion designer known for her unique style that blends traditional and modern elements. Her designs are highly appreciated by fashion enthusiasts. more

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“Seeing my ideas come to reality. Seeing how happy it makes other people to wear them. Seeing them on other people makes me the happiest.”

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“I might do a film someday for the collection. I love designing sets and creating environments, in film school and for my own presentations. I love telling stories.”

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“I'm listening to Gogol Bordello, which is totally random, but I love him. Just finished the new Joan Didion book, Blue Nights, which I loved. I haven't been to the movies in God knows how long. I haven't been doing anything but living in a bubble, making jewelry!”

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“It's got two aspects. The bit that involves the public life I could not really tolerate and cannot really tolerate. I just can't get used to the idea of being somebody unreal in people's minds. I can't live my life like that.”

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“And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.”

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“It made me feel that I had to work very hard, but I've always felt I had to work very hard to get my own approval.”

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“My friend who I went to boarding school with was interested in photography. He insisted that I buy a camera and marched me downtown.”

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“Black-and-white photography, which I was doing in the very early days, was essentially called art photography and usually consisted of landscapes by people like Ansel Adams and Edward Weston. But photographs by people like Adams didn't interest me.”

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“And what we called photojournalism, the photos seen in places like Life magazine, didn't interest me either. They were just not good-there was no art there. The first person who I respected immensely was Henri Cartier-Bresson. I still do.”

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“A lot of my friends were mostly working in black-and-white-people like Lee Friedlander, Diane Arbus, Garry Winogrand, and others. We would exchange prints with each other, and they were always very supportive of what I was doing. What each of us was doing photographically was entirely different, but we were basically coming from the same place, sort of like a club.”

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