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Quote by George Saunders

“Just through the process of trying to make the living and the dead feel real, all these little benefits came out. And these benefits turned out to be much more articulate statements of what I really believe. And somehow they were more convincing because they were arrived at at such length.”

Quote by George Saunders

Author

George Saunders

George Saunders, born on December 2, 1958, is an American writer known for his unique humor and profound insights. His works, primarily short stories, have gained widespread recognition and have been honored with numerous literary awards, including the Pulitzer Prize. more

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“As the writer of this book [Lincoln in the Bardo], what I loved was the feeling of having so many surprises come at the end that I hadn't really planned or planted.”

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“I'm not thinking in any big thematic or conceptual terms - especially in this book [Lincoln in the Bardo] when I was trying to make the voices more active, more energetic.”

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“Whole swaths of the book [Lincoln in the Bardo] are made up of verbatim quotes from various historical sources, which I cut up and rearranged to form part of the narrative.”

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“There was one sequence of days [making Lincoln in the Bardo] when I had halfway decided to use the historical nuggets, but I wasn't quite sure it would work. I'd be in my room for six or seven hours, cutting up bits of paper with quotes and arranging them on the floor, with this little voice in my head saying, "Hey, this isn't writing!" But at the end of that day, I felt that the resulting section was doing important emotional work”

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“Later, I went one step further, by putting in some invented "historical" bits [into the Lincoln in the Bardo]. And reading those alongside the actual historical bits was like looking into a sort of a painful mirror, because "my" parts were so show-offy at first. They stood out because they were so flamboyant.”

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“I had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.”

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“[Lincoln in the Bardo] is not a long book. And that meant I could obsess over it and live in it both backwards and forwards and hyper-control everything.”

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“The beginning [of Lincoln in the Bardo] is strange, and I did a lot of work calibrating that so that a reader with a certain level of patience would get through it and in the nick of time start to figure out what was going on. In a short book, you can do that.”

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“I sometimes think that I can't do the bigger thing that [Zadie Smith] do so beautifully, as in Swing Time, with so much world in it and so much rapturous paint thrown around. I don't think it would be possible to write a book on that scale with as much OCD as I have.”

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“From the beginning [of the Lincoln in the Bardo], I actually had it in mind not to write a novel. I'd kind of gotten past that point where I felt bad for never having written a novel, even to where I felt really good about it, like I was a real purist.”

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