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Flamboyant Quotes

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Flamboyant Quotes

“The room had been decked with late-blooming roses that cast up a sugary glasshouse scent. Yet amongst the profusion of china and silver, the atmosphere was one of flamboyance, rather than celebration. Mrs. Croxon announced that we should eat 'exactly the Bill of Fare as given by a most genteel Countess at Bath'. I had no appetite for sardines in mustard, creamed oats and kidneys, for I had a stomach full of butterflies, as my mother had called my fits of nerves.”

“For folks who have that casual-dude energy coursing through their bloodstream, that's great. But gays should not grow up alienated just for us to alienate each other. It's too predictable, like any other cycle of abuse. Plus, the conformist, competitive notion that by "toning down" we are "growing up" ultimately blunts the radical edge of what it is to be queer; it truncates our colorful journey of identity. Said another way, it's like living in West Hollywood and working a gay job by day and working it in the gay nightlife, wearing delicate shiny shirts picked from up the gay dry cleaners, yet coquettishly left unbuttoned to reveal the pec implants purchased from a gay surgeon and shown off by prancing around the gay-owned-and-operated theater hopped up on gay health clinic steroids and wheat grass purchased from the friendly gay boy who's new to the city, and impressed by the monstrous SUV purchased from a gay car dealership with its rainbow-striped bumper sticker that says "Celebrate Diversity." Then logging on to the local Gay.com listings and describing yourself as "straight-acting." Let me make myself clear. This is not a campaign for everyone to be like me. That'd be a total yawn. Instead, this narrative is about praise for the prancy boys. Granted, there's undecided gender-fucks, dagger dykes, faux-mos, po-mos, FTMs, fisting-top daddies, and lezzie looners who also need props for broadening the sexual spectrum, but they're telling their own stories. The Cliff's Notes of me and mine are this: the only moments I feel alive are when I'm just being myself - not some stiff-necked temp masquerading as normal in the workplace, not some insecure gay boy aspiring to be an overpumped circuit queen, not some comic book version of swank WeHo living. If that's considered a political act in the homogenized world of twenty-first century homosexuals, then so be it. — excerpt of "Praise For The Prancy Boys," by Clint Catalyst appears in first edition (ISBN # 1-932360-56-5)”

“Occasionally we encounter a person whose personality is so effusive that they take over a room. They may not be the type of person everyone wants to resemble, but we enjoy watching them, and their presence uplifts us. An extrovert craves other people noticing and acknowledging their presence, they can never receive too much attention.”

“I really rate Paul Scholes, because he hasn't got the high profile of many of the Manchester United players, he doesn't get too much attention, but he is one very good player. He is an intelligent player, he works hard and he scores some great goals. He is not flamboyant and is a quiet lad off the pitch but he is a tremendous asset to Manchester United and to England. He has already got my vote as player of the year.”

“For to be contemporary is not necessarily to be part of any movement, to be included in the official representations of national and international art. History shows that it may well be the opposite. It may be that it is the odd, the personal, the curious, the simply honest, that at this moment, when everyone looks to the extreme and flamboyant, constitutes the most interesting manifestation of the spirit of art.”

“if there ever was a time for sentimentality and traditional merrymaking, one that has transcended religious orientation, Christmas must be that time. The effect seems salutary: even people who ordinarily are as colorful and gay as groundworms, who would dare not consider a flamboyant gesture, hang long strings of brightly colored lights around their houses, trim Christmas trees, and talk to strangers.”

“I think my moment of revelation came when I saw this young man come on court in the most flamboyant clothes. He had a sweet smile and questionably blonde hair and a generally chirpy glamour that in fact concealed huge skill. When he was interviewed he confessed to hating to get angry and it was also said that he slithered out of winning when it came to the big matches. And I thought, My God! This Andre Agassi is the image of Howl in my book HOWL'S MOVING CASTLE!”

“As an Asian American, I'm aware of how stereotypes can be very destructive. We've been defined by the drag queens. And yes, they exist. But we've been defined as irresponsible, flamboyant, loud, and garish. I think what we need to do - and what we haven't done as aggressively as we should have - is to depict the vast diversity of the GLBT community.”

“That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.”

“In America there are people advocating for trans rights and people like Vice President Pence, who is vehemently opposed. In Pakistan, too, you have all kinds of folks - from flamboyant gay fashion designers and female Air Force pilots to the Taliban. A cross-dressed man used to be the top TV talk show host. It was actually quite radical. So the diversity of these societies is often lost on people.”

“When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.”

“As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.”

“I know that disavowal is an unusal form of betrayal. From the outside it is impossible to tell if you are disowning someone or simply exercising discretion, being considerate, avoiding embarrassments and sources of irritation. But you, who are doing the disowning, you know what you're doing. And disavowal pulls the underpinnings away from a relationship just as surely as other more flamboyant types of betrayal.”