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Salinger Quotes

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Salinger Quotes

“Ask me something else, Sybil," he said. "That's a fine bathing suit you have on. If there's one thing I like, it's a blue bathing suit." Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow." "It is? Come a little closer." Sybil took a step forward. "You're absolutely right. What a fool I am.”

“Think about this truck. Make believe this is not the darkest, wettest, most miserable Army truck you have ever ridden in. This truck, you've got to tell yourself, is full of roses and blondes and vitamins. This here is a real pretty truck. This is a swell truck. You were lucky to get this job tonight. When you get back from the dance...Choose yo' pahtnuhs, folks!... you can write an immortal poem about this truck. This truck is a potential poem. You can call it, "Trucks I Have Rode In", or "War and Peace", or "This Sandwich Has No Mayonnaise." Keep it simple.”

“چیزی که دنبالش می‌گشتم یه جور احساس خدافظی بود. می‌خوام بگم از خیلی مدرسه‌ها و جاهای دیگه رفته‌م بی‌این‌که بدونم دارم واسه همیشه می‌رم. از این خیلی شاکی می‌شم. به درک که خدافظیش غم‌انگیز یا ناجوره ولی وقتی دارم از جایی می‌رم دوس دارم بدونم که دارم می‌رم. آدم اگه ندونه داره واسه همیشه از جایی می‌ره احساسش از خدافظی هم بدتره.”

“Madness Quote #8 Ask me something else, Sybil," he said. "That's a fine bathing suit you have on. If there's one thing I like, it's a blue bathing suit." Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow." "It is? Come a little closer." Sybil took a step forward. "You're absolutely right. What a fool I am.”

“Muita gente já tinha chegado de férias e acho que havia mais ou menos um milhão de garotas por ali, sentada ou em pé esperando os namorados… Era realmente uma paisagem interessante. De certo modo, também era meio deprimente, porque a gente ficava pensando o que ia acontecer com todas elas. Quer dizer, depois que terminassem o ginásio e a faculdade. A maioria ia provavelmente casar com uns bobalhões. Esses sujeitos que vivem dizendo quantos quilômetros fazem com um litro de gasolina. Sujeitos que ficam doentes de raiva, igualzinho a umas crianças, se perdem no golfe ou até mesmo num jogo besta como pingue-pongue. Sujeitos que são um bocado perversos. Sujeitos que nunca na vida abriram um livro. Sujeitos chatos pra burro.”

“Mrs. Glass directed a long and oddly comprehensive look at his profile. “He’s a young boy not out of college yet. And you make people nervous, young man,” she said— most equably, for her. “You either take to somebody or you don’t. If you do, then you do all the talking and nobody can even get a word in edgewise. If you don’t like somebody— which is most of the time —then you just sit around like death itself and let the person talk themself into a hole. I’ve seen you do it.”

“I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.”

“Not a lot of contemporary fiction is written about brothers and sisters. Salinger's Franny and Zooey was an inspiration for me. In Franny and Zooey, the sister gets in trouble and the brother comes to help her out. But I wanted to make sure that in my novel the sister had more to do than lie around on a sofa muttering, which is what Franny does for two-thirds of Salinger's novel.”

“Salinger is such a terrific writer; he did so many great things. He is one of those writers that I still reread, simply because he makes me see the possibilities and makes me feel like writing. There are certain writers who put you in the mood to write. In the way a whiff of a cigar will bring back memories of a ballgame on a Saturday afternoon, reading Salinger makes me want to get to the typewriter.”

“As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.”

“Everybody is different. Some writers can write reams of great books and then J. D. Salinger wrote just a few. Beethoven wrote nine symphonies. They were all phenomenal. Mozart wrote some 40 symphonies, and they were all phenomenal. That doesn't mean Beethoven was a lesser writer, it's just some guys are capable of more productivity, some guys take more time.”