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Quote by André Aciman

“Se ti ricordi tutto, volevo dirgli, e se sei davvero come me, allora domani prima di partire o quando sei pronto per chiudere la portiera del taxi e hai già salutato gli altri e non c'è più nulla da dire in questa vita, allora, una volta soltanto, girati verso di me, anche per scherzo, o perché ci hai ripensato, e, come avevi già fatto allora, guardami negli occhi, trattieni il mio sguardo, e chiamami col tuo nome.”

Quote by André Aciman

Work

Call Me by Your Name

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Author

André Aciman

André Aciman, born on January 2, 1951, is a renowned writer known for his profound psychological insights and unique narrative style. His works, such as 'The Museum of Unconditional Love,' are celebrated for their emotional depth and distinctive storytelling. more

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“And suddenly I knew, as I touched the damp, grainy surface of the seawall, that I would always remember this night, that in years to come I would remember sitting here, swept with confused longing as I listened to the water lapping the giant boulders beneath the promenade and watched the children head toward the shore in a winding, lambent procession. I wanted to come back tomorrow night, and the night after, and the one after that as well, sensing that what made leaving so fiercely painful was the knowledge that there would never be another night like this, that I would never eat soggy cakes along the coast road in the evening, not this year or any other year, nor feel the baffling, sudden beauty of that moment when, if only for an instant, I had caught myself longing for a city I never knew I loved. Exactly a year from now, I vowed, I would sit outside at night wherever I was, somewhere in Europe, or in America, and turn my face to Egypt, as Moslems do when they pray and face Mecca, and remember this very night, and how I had thought these things and made this vow. You're beginning to sound like Elsa and her silly seders, I said to myself, mimicking my father's humour. On my way home I thought of what the others were doing. I wanted to walk in, find the smaller living room still lit, the Beethoven still playing, with Abdou still cleaning the dining room, and, on closing the front door, suddenly hear someone say, "We were just waiting for you, we're thinking of going to the Royal." "But we've already seen that film," I would say. "What difference does it make. We'll see it again." And before we had time to argue, we would all rush downstairs, where my father would be waiting in a car that was no longer really ours, and, feeling the slight chill of a late April night, would huddle together with the windows shut, bicker as usual about who got to sit where, rub our hands, turn the radio to a French broadcast, and then speed to the Corniche, thinking that all this was as it always was, that nothing ever really changed, that the people enjoying their first stroll on the Corniche after fasting, or the woman selling tickets at the Royal, or the man who would watch our car in the side alley outside the theatre, or our neighbours across the hall, or the drizzle that was sure to greet us after the movie at midnight would never, ever know, nor even guess, that this was our last night in Alexandria.”

“The reason why the book begins with the wish to “play back” how the two met is precisely to see if repeating the scenario might tell the narrator why he is so thoroughly smitten, to play with the scenario all over again, perhaps to master it, as Freud says about repetition. But there cannot be a “reason.” An attraction that needs a reason is not a reason the heart or the body cares much about.”

“Oliver was Oliver,' I said, as if that summed things up. 'Parce que c'était lui, parce que c'était moi,' my father added, quoting Montaigne's all-encompassing explanation for his friendship with Etienne de la Boétie. I was thinking, instead, of Emily Brontë's words: because 'he's more myself than I am.”

“But it might have started way later than I think without my noticing anything at all. You see someone, but you don't really see him, he's in the wings. Or you notice him, but nothing clicks, nothing "catches," and before you're even aware of a presence, or of something troubling you, the six weeks that were offered you have almost passed and he's either already gone or just about to leave, and you're basically scrambling to come to terms with something, which, unbeknownst to you, has been brewing for weeks under your very nose and bears all the symptoms of what you're forced to call I 'want'.”

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything – what a waste! (…) How you live your life is your business. But remember, our hearts and bodies are given to us only once. Most of us can’t help but live as though we got two lives, one is the mockup, the other the finished version. But there’s only one and before you know it, your heart is worn out. Right now there’s sorrow. I don’t envy the pain. But I envy you the pain.”