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Quote by Taylor Jenkins Reid

“I'd chased this life with all of my heart. I wanted so badly to express myself and be heard and bring solace to other people with my own words. But it became a hell I'd created, a cage I'd built and locked myself in. I came to hate that I'd put my heart and my pain into my music because it meant that I couldn't ever leave it behind. And I had to keep singing it to him, night after night after night, and I could no longer hide how I felt or what being next to him was doing to me. It made for a great show. But it was my life.”

Quote by Taylor Jenkins Reid

Work

Daisy Jones & The Six

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Taylor Jenkins Reid

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“El Maestro: Do not attack the strings, Francisco. Francisco Presto: No, Maestro. El Maestro: Coax them. Francisco Presto: Yes, Maestro. El Maestro: Make them hunger for your next note. Same as in life. Francisco Presto: In life, Maestro? El Maestro: When you want someone to listen to you, will you attack them? Francisco Presto: No, Maestro. El Maestro: No, you will not. you will make them hear the beauty of what you are offering, and they will want it for themselves.”

“It was his Fourth Concerto, the last work he had written. The crash of its opening chords swept the sights of the streets away from her mind. The Concerto was a great cry of rebellion. It was a 'NO' flung at some vast process of torture, a denial of suffering, a denial that held the agony of the struggle to break free. The sounds were like a voice saying There is no necessity for pain why, then, is the worst pain reserved for those who will not accept its necessity we who hold the love and the secret of joy, to what punishment have we been sentenced for it, and by whom ... The sounds of torture became defiance, the statement of agony became a hymn to a distant vision for whose sake anything was worth enduring, even this. It was the song of rebellion and of a desperate quest.”