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Quote by Mark Z. Danielewski

Work

House of Leaves: The Remastered Full-Color Edition

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Author

Mark Z. Danielewski
Mark Z. Danielewski

Mark Z. Danielewski is an American author born on March 5, 1966. He is known for his experimental narrative techniques and visual style in literature, with notable works including 'The Room' and 'The Time Traveler's Wife'. more

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“If I could stop getting caught in the old cobwebs of disappointment and accept my dad as he was, I might enjoy myself too. In the emotional tumbling routine of my father slowly dying, I did manage to land the dismount from the old pain. I successfully let go of any blame or desire from a different version of a dad. He and I were both grateful when I could just easily and simply sit with him in love.”

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“...It felt like permission. The kind I hadn't let myself have for [six months]. The kind of permission I'd been waiting for, as I sat alone in [her] apartment in grief, welled up so high, it felt suffocating. The permission I thought I'd given myself. But it hadn't been permission to cry. It had been a command to be strong. To be ok. I told myself over and over, I had to be ok. And finally, finally! Someone gave me permission to come undone.”

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“Speeding through grief always has a cost. To bury somebody's supposed-to-be is also to bury a story that's untold. When you bury someone's story like that, it gets lodged in the ribcage, it gets radioactive, it festers, it shouts to be heard. Grief is always a voice that needs to speak. If you suppress it, it still speaks— but not always in ways that are healthy. Not in the ways you need. It pushes through your skin like rogue splinters. Burying a future loss without telling its story can make you sick. Timesick. You get split between timelines. The further along you go, the further away you get from that dream, and you look around and wonder how people can keep going while you want the world to stop, time to freeze, to get back to your real universe. And you get well-meaning people around you, always the ones who mean well, who are nudging you forward, shoving you, really, and you clutch two timelines until you're ripped in half. Part of my role as a chaplain, I've learned, is to make room for these original timelines. That they may be spoken, shared. The story told. "There is no agony like bearing an untold story inside you, Zora Neale Hurston said. It must be conversely true that there is no greater peace than to tell that story.”

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“She looks so much like a person hurt beyond belief, with her rubbed-to-fuzz hair and her screaming and her blistered eyes. Nothing else matters but her pain, the biggest, loudest thing in the world, unimaginable, a way that people only ever expect to feel maybe once in their life, if ever at all, and maybe never even really recover from. She gets this way all the time. Ripped to shreds when a relationship ends. Is this real? Could this possibly be real? Can real grief even happen this many times to a single human body?”

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“If you had never lived, and my mind was full of you--a fantasy figure with whom I am having an intense personal relationship--they'd give me treatment. They'd lock me up for being delusional. As it is, yes, it's an embarrassment. The black-armband days were easier. It was a sign to say--I am a bit odd. Give me space. Give me time. Grief takes time. I am grieving. I discover that grieving means living with someone who is no longer there.”

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