“People love science and all it offers, but they also feel a calling in themselves to the sense of what's deeper.” Quote by Adam Frank
“I try to get in quiet time and book time, but really, the only time I ever get that is when I'm on an airplane - I have a fear of flying, but I actually love flying because it's the only time I can sleep, and it's the only time I get to read.” TryingI CanBookSleepQuietFlyingAirplaneOnly TimeQuiet TimeFear Of Flying Author:Kesha
“The way superheroes dominate the fictional landscape now, along with dystopian futures and zombies. Yeah, definitely - I think these stories function as a kind of mythology for us.” ThinkingWayKindStoriesFunctionYeahMythologyLandscapeDystopianSuperheroZombie Author:Adam Frank
“I don't really know what I want, other than good sequences, whatever that means. What I find is always a matter of chance, judgment, and luck.” KnowsWantMeanMatterChanceJudgmentLuckSequence Author:Frederick Wiseman
“Even if I know I'm going to go to a church, I don't know what the minister's going to say.” IfsKnowsChurchMinisters Author:Frederick Wiseman
“I'm drawn to making movies about contemporary life. The reason I choose institutions is because they provide a limit, a boundary.” ReasonLimitsInstitutionsBoundariesContemporaryContemporary Life Author:Frederick Wiseman
“I think I've learned a lot about how to make movies, and particularly about how to edit movies by thinking about how similar problems are resolved in other forms. The issues in all forms are the same in an abstract sense, aren't they? Characterization, abstraction, metaphor, passage of time... Whether it's a movie, a novel, a play, or a poem, those issues exist. And each person resolves them differently.” ThinkingPersonsPlayProblemFormNovelIssuesMetaphorAbstractI've LearnedResolvePassagesAbstractionEditsPassage Of TimeCharacterization Author:Frederick Wiseman
“My job as a film editor is to construct a dramatic narrative because otherwise it's just a chaotic arrangement of sequences.” JobsFilmNarrativeDramaticEditorsArrangementsConstructsSequenceChaotic Author:Frederick Wiseman
“I'm in no way suggesting that I succeed, but it's inspiring to read somebody who does succeed and from whom, in a general way, you can draw examples and nourishment and sustenance.” WayDoeExampleSucceedDrawsNourishmentSuggestingSustenance Author:Frederick Wiseman
“There's the internal rhythm within a sequence, and then there's the rhythm between the sequences, and that's extremely important in constructing the narrative. For example, you don't put two big dramatic scenes right next to each other. But you can use the rhythm of the transition shots; they can often serve a double purpose.” TwoImportantUseBigsPurposeNextExampleSceneShotsRhythmNarrativeDramaticInternalsTransitionSequence Author:Frederick Wiseman
“There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.” PeopleIdeasRealTrackAbstractLiteralEtcetera Author:Frederick Wiseman