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Quote by Oliver W. Harrington

“To really dig Brother Bootsie, his trials and tribulations, you’d have to see Harlem from the sidewalk. Everyone in Harlem had trials and tribulations because everyone was colored. Or almost everyone…But being colored, even in an enlightened northern burg like New York, could be a drag.”

Quote by Oliver W. Harrington

Book:Why I Left America and Other Essays
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Why I Left America and Other Essays

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Oliver W. Harrington

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Book:Art Young: His Life and Times
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“In my youth I hoped for no higher status in life than to be among those who would follow in the wake of Thomas Nast, Joseph Keppler, and Bernard Gillam, outstanding artists in the field of political caricature. And when in my early twenties I grew familiar with the political and social satires of the graphic artists of England and France across two centuries, these gave even greater stimulus to my ambition. Dreamily I anticipated that my destiny was to succeed as a caricaturist of some influence in public affairs.”

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Book:Art Young: His Life and Times
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“Print media started collapsing in the mid-2000s. When I first started out, it seemed like alternative news weeklies were the future of newspapers. It was a booming industry. It was a product of the nineties and that nineties mentality. At the time, I had a day job at the University of Virginia and I was sending my strip out and picked up one paper here and another paper there very gradually. I was building up a client list and then that fateful day where Village Voice Media dropped comics across the entire chain. I was actually spared the worst of that. I think I was just in the Village Voice at the time, but that was a big loss. [laughs] Not that the pay was all that great, but it had been my goal to get into that paper. At the time I really wasn’t sure whether I would be able to continue, but then dailykos came along and picked up a bunch of alt weekly cartoonists and breathed some life into our industry online. They did really well on dailykos they were shared a lot and got good traffic and I think it set a precedent. Not that it was the first home for political cartoons online, but something about dailykos at that moment turned the tide a bit. A few more websites started running political cartoons – and paying fairly for them. People started realizing that they were highly shareable and that they could do well online. I’ll add that print has stabilized. At least it had stabilized under the second Obama administration. I actually added papers during that time. I wouldn’t say this is a growth industry. I think it would be very hard to break into now, but I did get the sense that print media had stabilized and some papers were doing okay. For me it’s really a hybrid now between print and digital. Certainly the digital side of things has grown the most in the past few years. (Interview with Comicsbeat)”

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“The thing I like most about political cartooning is the relevance of the work to the real world. And if you do this long enough you get to look back and see yourself in historical context, sometimes on the right side and sometimes on the wrong. But I’m proud of the work I was doing in the runup that bamboozled us into the Iraq War and that horrible chapter where Cheney and Bush drove the country into the ditch, the one we’re still in. (2010 interview with Washington City Paper)”

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“When you look up and don’t see the stars, the universe may have cleared the sky for you to replace them.”

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Author:Matshona Dhliwayo
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