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Cartoons Quotes

Browse 43 quotes about Cartoons.

Cartoons Quotes

“I feel that the cartoon should involve something happening that could not possibly happen, but which has a kind of truth to it. There should be a give-and-take between the truth and the implausibility. If those two things are going on at the exact same time, and they’re both equal in weight, then the brain has a conflict that it has to resolve, and it can only resolve it through laughter.”

“Children under, say, ten, shouldn't know that the universe is ever-expanding, inexorably pushing into the vacuum, galaxies swallowed by galaxies, whole solar systems collapsing, all of it acted out in silence. At ten we are still learning the rules of cartoon animation, that if a man draws a door on a rock only he can pass through it. Anyone else who tries will crash into the rock.”

“CALVIN'S DAD: What story would you like tonight? We can read anything except... CALVIN, INTERRUPTING HIM: "Hamster Huey and the Gooey Kablooie"! CALVIN'S DAD, IN ANGUISH: NO! No Hamster Huey tonight! We've read that book a million times! CALVIN: I want Hamster Huey! CALVIN'S DAD, Nearly Pleading: Look, you KNOW how the story goes. You've memorized the whole thing! It's the same story every day! CALVIN, Screaming: I want Hamster Huey! CALVIN, LYING IN BED WITH EYES OF WONDERMENT: Wow, the story was different THAT time! HOBBES, LYING IN BED NEXT TO CALVIN, ALSO WITH EYES OF WONDERMENT: Do you think the townsfolk will ever find Hamster Huey's head?”

“Frozen yogurt is tastier than ice cream; nobody is too old for cartoons; bald men are sexy; chocolate is the best medicine; BIG books are better; cats secretly rule the planet; and everything should be available in the color pink, including monster trucks.”

“SIMPSONS BLUFFER'S RULE #2 The competent bluffer should always refer to the performers who play The Simpsons as 'the voice talent' never 'actors'. For extra effect, drop their first names... This implies some tacit familiarity and your bluffee will simply melt before your eyes like the witch in The Wizard of Oz”

“If we suggest that it is okay to make fun of everything except certain aspects of Islam because Muslims are much more sensitive than the rest of the population, isn’t that discrimination? Shouldn’t we treat the second largest religion in France exactly as we treat the first? It’s time to put an end to the revolting paternalism of the white, middle-class, “leftist” intellectual trying to coexist with these “poor, subliterate wretches.” “'I’m educated; obviously I get that 'Charlie Hebdo' is a humor newspaper because, first, I’m very intelligent, and second, it’s my culture. But you—well, you haven’t quite mastered nuanced thinking yet, so I’ll express my solidarity by fulminating against Islamaphobic cartoons and pretending not to understand them. I will lower myself to your level to show you that I like you. And if I need to convert to Islam to get even closer to you, I’ll do it!” These pathetic demagogues just have a ravenous need for recognition and a formidable domination fantasy to fulfill.”

“Before he got too far, he thought he smelled a fire. No sooner did he blink before he sensed something dire. He heard a sound and froze, danger tickling his nose. His ears perked up as tiny cries of capture rose.”

“Blasphemy is just the fanatic's name for criticism. Charb writes wisely: 'A believer can blaspheme only to the extent that the idea of blasphemy holds any meaning to him. A non-believer, no matter how hard he tries, 'cannot' blaspheme. God is sacred only to those who believe in him. If you wish to insult or offend God, you have to be sure that he exists. The strategy used by minority group activists masquerading as anti-racists is to pass off blasphemy as Islamophobia and Islamophobia as racism.' The crucial distinction we must defend is between acts of imagination and acts of violence....Faith is not the enemy. Fanaticism is the enemy. It always is. But only a fool would deny that faith has been the seedbed of fanaticism in mankind's long and sorry struggle for the light. As much as at times we need to seek "solidarity" among unlike groups, we also need to "desolidarize," to "unsolidarize"—to put the people we know before the abstract categories we imagine. Come to think of it, making people, with all their flaws, fully visible while leaving generalized types alone is exactly what the caricaturist has always done for us. It's his special form of bravery.”

“One day I was watching the cartoon She-Ra, and the episode that was on was called ‘She-Ra and the Mighty Rebellions.’ At that time, the gang was already formed and was on the move. We were already getting involved in territory fights. This was when the Syndicates was out [the Syndicates was the first street gang ever to be established in The Bahamas; however, they were put out of business by the Rebellions]. One day we were on the wall, and guys were throwing out different names. I told them that the best name for this gang would be the Rebellions. To this day, I’m sorry I ever came up with that name, because I’m getting tired of seeing that name on the walls throughout Nassau. Anthony ‘Ada’ Allen, one of the former leaders and founders of the Rebellion Raiders street gang.”

“I was in deadly earnest about developing my talent, and carousing had no lure for me. I applied myself assiduously to the work in hand, and as I proceeded I became more and more convinced that graphic art was my road to recognition. Painting interested me no less, but I thought of it as having no influence. If one painted a portrait, or a landscape, or whatever, for a rich man to own in his private gallery, what was the use? On the other hand, a cartoon could be reproduced by simple mechanical processes and easily made accessible to hundreds of thousands. I wanted a large audience. . . The prevailing art of that period embraced a thorough, almost photographic, lens-like observance of detail. Gerome, Messonier, Cabanel, Vibert, and Bougeaureau were in the forefront of the artworld then, because they were accurate, precise draftsmen.”

“Holy everything that’s holy and even some not-holy things thrown in. There were no words for how vast this big rock of El Cap was. Or that big rock—there was Middle Cathedral Rock. Or that one over there— Sentinel, the Prow, Half Dome. The hugeness of the place ate my brain. I plopped down right there in El Cap Meadows and, mind exploding and now a believer in The Valley, I let it all soak in.”

“1. Wir sprechen oft griechisch, ohne es zu wissen — in unseren Wörtern, in unseren Bildern, manchmal sogar in unserem Denken. 2. Sprache ist mehr als ein Mittel zur Verständigung; sie ist ein Schatz, in dem Geschichte, Kultur und Menschlichkeit weiterleben. 3. Zwischen Mythos und Alltag, zwischen Humor und Wissen zeigt sich, wie nah uns das Griechische bis heute geblieben ist.”

“What pushed you to be political? I’ve always been interested in politics, but when I first got out of college I just wanted to have fun and do non-political work. What happened was the Bush vs Gore election and the Supreme Court [decision]. That was the event that really shocked me into starting to do political cartoons. It was just so outrageous at the time. Then 9/11 and the Iraq War. I prefer doing a mix of straightforward political cartoons and more cultural cartoons about trends and facial hair and things like that. Now I feel silly doing a strip about beards. Maybe things will calm down and I can go back to doing cartoons about facial hair. As time went on and politics became more and more dire, that’s what really sent me down that path. Also I started picking up more and more clients that are explicitly political, like dailykos and The Progressive Magazine and once in a while The Nation will run a cartoon. That pushed me in a more political direction as well. (Interview with Comicsbeat)”

“Q: What do you think will be the future of your field? There’s too much pessimism about the future for political cartooning. I think the future’s very bright. You see more and more sites like Politico that aggressively deploy cartoons on the homepage. I think the media is becoming increasingly visual… and increasingly made to match our shrinking attention spans. The business model for cartooning is going through a rough transition now, but in the long run the thing we cartoonists do—-deliver simple-minded political messages in short easily digestible bites—-is the direction the media in general is heading. We’re living in a media landscape that seems to get more infantile and politically simple-minded all the time—-look at the huge popularity of Glenn Beck…and I saw someplace recently that Jon Stewart is now the most trusted man in America. The clowns seem to be taking over the circus. This may be bad for governance, but it can only be good news for cartoonists. The interesting part will be what the platforms are going to be, cell phones, iPads, the iChip in my forehead, whatever it is, I’m sure the combination of visual metaphor and incisive humor you find in good cartoons will adapt and evolve and really thrive in the future. (Interview with Washington City Paper)”

“To be honest, I love watching some of the old cartoons and new ones that are popular. It's another way to make me happy and reminisce the good old times. Plus, it makes me forget the recreational world around me. If only the economy would let loose and not tire everyone out. I'm just saying. People have an inner child somewhere. I have one, too. So it's cool to have an inner child at times. It can brighten your day and see another view in life.”