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Quote by Bob Mankoff in Funny Stuff: How Great Cartoonists Make Great Cartoons by Phil Witte & Rex Hesner

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Bob Mankoff in Funny Stuff: How Great Cartoonists Make Great Cartoons by Phil Witte & Rex Hesner

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“I feel that the cartoon should involve something happening that could not possibly happen, but which has a kind of truth to it. There should be a give-and-take between the truth and the implausibility. If those two things are going on at the exact same time, and they’re both equal in weight, then the brain has a conflict that it has to resolve, and it can only resolve it through laughter.”

“There is some confusion as to what magic actually is. I think this can be cleared up. If you just look at the very earliest descriptions of magic. Magic in its earliest form is often referred to as "the art". I believe that this is completely literal, I believe that magic is art and that art, whether that'd be writing, music, sculpture or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words or images to achieve changes in consciousness. The very language of magic seems to be talking as much about writing or art as it is about supernatural events. A grimoire for example, the book of spells is simply a fancy way of saying grammar. Indeed, to cast a spell is simply to spell, to manipulate words, to change people's consciousness. And I believe this is why an artist or writer is the closest thing in the contemporary world that you are likely to see to a shaman. I believe all culture must have arisen from cult. Originally, all of the facets of our culture, whether they'd be in the arts or the sciences were the province of the shaman. The fact that in present times, this magical power has degenerated to the level of cheap entertainment and manipulation is I think a tragedy.”

“The works of the poets, sculptors, and representative artists in general contain an unacknowledged treasure of profound wisdom; just because out of them the wisdom of the nature of things itself speaks, whose utterances they merely interpret by illustrations and purer repetitions. On this account, however, every one who reads the poem or looks at the picture must certainly contribute out of his own means to bring that wisdom to light; accordingly he comprehends only so much of it as his capacity and culture admit of; as in the deep sea each sailor only lets down the lead as far as the length of the line will allow. Before a picture, as before a prince, every one must stand, waiting to see whether and what it will speak to him; and, as in the case of a prince, so here he must not himself address it, for then he would only hear himself.”

“They say women have no conscience about laws, don't they?" Mrs. MacAvelly suggested. "Why should we?" answered her friend. "We don't make 'em—nor God—nor nature. Why on earth should we respect a set of silly rules made by some men one day and changed by some more the next?" (from According to Solomon)”