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Quote by Norman Mailer

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Conversations with Norman Mailer

This book features in-depth conversations with Norman Mailer, delving into his thoughts on writing, life, and the literary world. more

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Norman Mailer
Norman Mailer

Norman Mailer was an American novelist, journalist, and essayist renowned for his daring and innovative writing. His works frequently examined the human condition, focusing on the roles of power and violence in society. Mailer's most celebrated novel, 'The Naked and the Dead', was published in 1948 and is regarded as a classic of American literature. He was awarded the Pulitzer Prize for his novel 'The Armies of the Night' in 1968. Mailer's writing style was marked by its vivid descriptions and his readiness to address controversial subjects. more

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“When you know too much information and you acquire it too easily, you tend to either use it in disagreeable ways, out of vanity, or you tend to be indiscriminate about it. I mean, in the old days, it was tricky, you had to go to various encyclopedias, you had to go to the library, maybe spend a day there, whatever. But in the end, if you found something, it was really exciting. Now you hit a couple of buttons and you get some information. Which, by the way, is almost always presented in that same goddamn mediocre style that characterizes the Internet for me. It is slightly deadening.”

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“I have always had this very strong, call it a feeling, call it a prejudice, call it a conviction ... that the mysteries are not easily available. You have to earn entrance into them. You didn't learn things for too little. You had to pay a price. And I felt that LSD was just blasting superhighways into the mysteries. And what I really didn't like about LSD is that people who were taking it were seeming to become less and less as they took it. They got emptier and more vapid.”

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“Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.”

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“We are close to dead. There are faces and bodies like gorged maggots on the dance floor, on the highway, in the city, in the stadium; they are a host of chemical machines who swallow the product of chemical factories, aspirin, preservatives, stimulant, relaxant, and breathe out their chemical wastes into a polluted air. The sense of a long last night over civilization is back again.”

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